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Sing a Little, Dance a Little: 2-Part Choral Octavo

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Sing a Little, Dance a Little Cover Image

Sing a Little, Dance a Little: 2-Part Choral Octavo

Words and music by Ruth Elaine Schram

Level: Moderate

Item: 00-SVM04053

$1.60
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Description
"Music is like medicine and music does a body good . . . let's sing a little, dance a little, have a little fun today." A light-hearted original that lets everyone know why we want to sing. Add this one to your next concert!

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Additional Details
Publisher: Alfred Music
UPC: 654979077299
SKU: 00-SVM04053

More about this title

About the Composer: Ruth Elaine Schram

Ruth Elaine Schram has built a substantial catalog of choral and instrumental works that balance accessibility with genuine musical substance. Her compositions for educational ensembles are known for their clarity, singability, and ability to engage young musicians without sacrificing artistry.

Schram's work across multiple genres and voicings reflects deep understanding of what works in the classroom and concert hall. Her pieces are frequently chosen by directors seeking music that students enjoy learning and audiences enjoy hearing.

Why we love this

This piece embodies the joy of singing without a shred of pretension. Schram captures something real here: the reason students show up, the reason ensembles matter, and the reason we program music in the first place. It's the kind of opener or closer that reminds everyone in the room why they love what they do.

What to expect

Straightforward and uplifting without ever becoming saccharine. The piece breathes like a conversation among friends making a simple but genuine point. It's contemporary in its directness but timeless in its sentiment.

Who it's for

This works for any intermediate choir that needs a morale-boosting moment. It suits Grade 3 ensembles with solid fundamentals but also lands powerfully with older singers who haven't lost touch with why they started singing. Directors building concerts around themes of joy, ensemble identity, or the value of music itself will find this essential.

How to get the most out of it

  • Keep the text crisp and conversational. The message lands when singers commit to the literal meaning rather than oversinging the sentiment.
  • Build energy gradually through the piece rather than starting at full throttle. Let the "have a little fun today" phrase feel earned.
  • If using the recorded accompaniment, ensure your ensemble locks the opening phrase before the track begins. A confident entrance sets the tone immediately.
  • Honor the "dance a little" instruction with subtle physical freedom in your conducting. Singers respond when they feel permission to enjoy themselves.

How to use it

Open your concert with this and watch the audience settle into the right frame of mind immediately. Pair it with more substantial pieces to reinforce that joy and substance aren't opposites. It also works beautifully as a finale if you want your concert to end with the audience reminded of music's fundamental gift.

Skills your students will build

  • Managing lyrical interpretation in a text-forward piece
  • Balancing clarity of diction with sustained singing
  • Responding to conducting gesture that encourages musical freedom
  • Maintaining ensemble precision while performing with apparent ease

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