Sing a Jubilant Song: 2-Part Choral Octavo
Music by Dave and Jean Perry
Item: 00-PO-0003483
$2.40
Minimum order quantity: 20 copies
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Description
Dave and Jean Perry are well known for their excellent and exciting 2-part choral writing. This piece has strong, independent vocal lines, a Perry trademark. The simple piano part adds a driving rhythmic pulse.
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
8
SKU:
00-PO-0003483
More about this title
About the Composer: Dave Perry
Dave Perry has built a reputation as one of the most prolific and respected voices in contemporary choral writing, with a particular gift for crafting accessible yet musically substantial arrangements and original compositions. His work is characterized by strong melodic lines, rhythmic vitality, and a deep understanding of what makes choirs sound their best, qualities that have made his pieces staples in middle school, high school, and community choir repertoires across North America.
Why we love this
The Perrys understand that 2-part writing doesn't mean simplistic writing. Both vocal lines carry real melodic interest and independence, so your singers feel invested in their own parts rather than merely supporting a dominant melody. The rhythmic drive of the piano part energizes rehearsals and performances without overwhelming young or developing voices.
What to expect
The piece radiates jubilation through its title and character. Strong, independent lines create textural clarity and harmonic interest, while the propulsive piano accompaniment drives the whole ensemble forward with infectious momentum and joy.
Who it's for
This octavo works for middle school and high school choirs seeking repertoire that sounds mature without requiring advanced vocal technique. It also suits community and recreational choirs that want something energetic and engaging to perform at concerts or festivals.
How to get the most out of it
- Balance the two parts equally during early rehearsals; mark phrase peaks so singers understand where their line builds momentum and where it can recede.
- Have each part sing through the entire piece solo first, then together. This reveals how the lines interact and prevents one voice from defaulting to harmonic support.
- Lock the piano accompaniment into a steady groove during rehearsal to help singers feel the rhythmic pulse; once secure, the piano's driving quality will propel the piece forward naturally.
How to use it
Program this as a concert opener or a mid-set energizer. Its festival-ready appeal and strong musical content make it ideal for spring concert programs or as a contest piece that doesn't sacrifice musicality for technical showiness.
Skills your students will build
- Singing independent melodic lines in 2-part texture
- Maintaining rhythmic precision with piano accompaniment
- Balancing blend and balance between two equal vocal parts
- Phrasing and musicality in secular choral literature