Sing! Sheet Music Preview

Sing!: SSA Choral Octavo

By Marvin Hamlisch / As performed by Glee Cast / Arranged by Tim Davis / Arranged by Adam Anders / Arranged by Mark Brymer

Item: 35-DS00176704

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00176704

More about this title

About the Composer: Marvin Hamlisch

Marvin Hamlisch (1944-2012) was one of Broadway's most prolific composers, with an extraordinary gift for writing melodies that lodge in the listener's memory immediately. His work spanned theater, film, and concert music; he won three Academy Awards and four Tony Awards, cementing his place among the most decorated composers in American entertainment. For music educators, Hamlisch's catalog offers accessible yet sophisticated material that bridges popular and concert idioms without sacrificing musicality.

Why we love this

The arrangers have crafted an SSA voicing that gives young singers genuine melodic responsibility across all parts while keeping the harmonic language clear and singable. This version preserves the anthemic quality that made the original resonate with listeners, but frames it in a way that builds confidence and musicianship in developing choirs. Programming contemporary pop through the lens of a Broadway master introduces students to the compositional craft behind songs they actually care about.

What to expect

Energetic and affirming, with the kind of forward momentum that makes singers feel the power of their own voices. The arrangement captures the original's emotional directness while adding harmonic warmth through SSA writing that feels modern without becoming overly complicated.

Who it's for

SSA choirs looking to expand beyond traditional repertoire and engage students through contemporary material with real Broadway pedigree. This works equally well for developing high school choirs and community ensembles that want popular music taken seriously as compositional work.

How to get the most out of it

  • Balance the melody so it reads clearly even when all three voices are moving; the supporting parts should never muddy the top line.
  • Establish a steady pulse in rehearsal without rushing the tempo; this arrangement has enough rhythmic interest that precision pays off immediately.
  • Shape the phrase lines in each voice independently before blending; each part has its own narrative and releasing those individual stories creates richer ensemble sound.

How to use it

This fits naturally into a spring or concert program that mixes genres; it creates a bridge between formal concert pieces and the contemporary songs your singers already know. Position it where you need audience engagement and genuine joy from your singers, especially valuable in larger, mixed-audience settings where accessibility matters alongside musicality.

Skills your students will build

  • Singing sustained lines with proper breath support
  • Balancing melody and harmony in three-part writing
  • Interpreting rhythmic precision in contemporary idioms
  • Moving between pop/contemporary styling and concert performance technique

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