Sinfonia (Symphony) for String Orchestra from String Quartet No.8, Op.110 Cover Image

Sinfonia (Symphony) for String Orchestra from String Quartet No.8, Op.110: String Orchestra, SS

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Sinfonia (Symphony) for String Orchestra from String Quartet No.8, Op.110 Cover Image

Sinfonia (Symphony) for String Orchestra from String Quartet No.8, Op.110: String Orchestra, SS

By Dmitri Shostakovich, ed./arr. by Lucas Drew

Item: 36-S005801

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Description
Dmitri Shostakovich's String Quartet No. 8 in C minor, Opus 110 is dedicated to "The Memory of the Victims of Fascism and War." The work was composed in three days during July, 1960. The Quartet is autobiographical and uses themes from earlier works. The opening theme is an adaption of the composer's name to German sounds: (D-S-C-H). This string orchestra version enhances the deep emotion of this significant work of Shostakovich. The integrity of the phrasing and articulation of the urtext edition has been respected in this edition of Shostakovich's Quartet No. 8. A count of 8-8-5-5-5 strings are included in the set. Study score.

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Additional Details
Series: Kalmus Study Score Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563806-9
ISBN13: 979-889-563-8064
UPC: 612735794637
SKU: 36-S005801
Instrumentation: String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Dmitri Shostakovich

Dmitri Shostakovich (1906-1975) composed 15 string quartets over his lifetime, with each work reflecting the political and personal upheaval of 20th-century Russia. His music navigates between official Soviet aesthetics and deeply personal expression, often embedding autobiographical references and literary allusions that reward careful study. String Quartet No. 8 stands among his most performed and emotionally direct works, making it a cornerstone of both chamber and educational string literature.

Shostakovich's quartets demand interpretive maturity from performers; they require technical security, tonal control, and emotional conviction. For student orchestras, arrangements like this one preserve the composer's harmonic language and thematic integrity while distributing the musical responsibility across a larger ensemble, making this significant work accessible to advancing musicians.

Why we love this

This arrangement respects the urtext with scrupulous attention to phrasing and articulation, preserving Shostakovich's original intent while allowing string orchestras to engage with one of the 20th century's most consequential works. The D-S-C-H cipher (the composer's name in German note notation) becomes a unifying thread students can track and discuss, connecting musical analysis to historical context. Programming this piece signals serious artistic ambition and offers your ensemble a profound statement about memory, loss, and resilience.

What to expect

Austere and introspective, with moments of raw anguish beneath restrained surface calm. The work unfolds through subtle transformations rather than dramatic contrast; its power emerges from relentless focus on a few core ideas and the emotional honesty with which they are explored. There is no comfort here, but there is dignity and profound artistic truth.

Who it's for

String orchestras at the intermediate to advanced level seeking repertoire that challenges musicianship while exploring significant 20th-century art music. Directors who want their students to engage with works of historical weight and personal testimony, not just technical display. This arrangement makes Shostakovich's quartet literature available to ensembles not yet ready for the original chamber scoring.

How to get the most out of it

  • Balance the opening D-S-C-H motif so that each note lands with equal weight and clarity; this theme recurs throughout the work and listeners should recognize it instantly.
  • Attend closely to the study score's articulation markings and dynamic shadings. Shostakovich's spare orchestration means every marking serves a purpose and contributes to the work's emotional architecture.
  • Shape phrases with sustained intensity rather than literal tempo changes. The work's brooding character comes from unwavering focus and tonal depth, not rhythmic flexibility.
  • Establish a unified vibrato standard across your sections early in rehearsal. The work's expressivity depends on consistency of tone color across the ensemble.

How to use it

Place this as a centerpiece work on a concert dedicated to 20th-century string music, or pair it with other works that explore themes of remembrance and human resilience. Its dedicatory context (memorializing fascism's victims) positions it meaningfully alongside other serious works by Shostakovich, Britten, or Penderecki. This is ideal material for a spring concert where your ensemble can demonstrate artistic growth and interpretive depth.

Skills your students will build

  • Reading and performing 20th-century harmonic language and chromaticism
  • Executing precise articulation and dynamic control in ensemble context
  • Sustaining long phrases with consistent tone and intonation
  • Tracking and recognizing the D-S-C-H motif across different instrumental lines and registrations
  • Balancing emotional expression with structural clarity in non-tonal music

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