Sinfonia No. 9 in C Major: String Orchestra Conductor Score & Parts

$59.00 USD

Sinfonia No. 9 in C Major: String Orchestra Conductor Score & Parts

Name: Sinfonia No. 9 in C Major: String Orchestra Conductor Score & Parts
Brand: Alfred Music
SKU: 00-41225
Price: 59.00 USD
Availability: InStock

Movement 1

By Felix Mendelssohn-Bartholdy / arr. Kirk Moss

Grade: 4

Item: 00-41225

Need it now?

Buy Digital Version

$59.00

Shipped

One moment…

A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of "Sinfonia No. 9" from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sinfonia No. 9 in C Major: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.

No sample videos found.

Series: Belwin Concert String Orchestra

Publisher: Alfred Music

Page Count: 248

UPC: 038081478869

SKU: 00-41225

More about this title

About the Composer: Felix Mendelssohn-Bartholdy

Felix Mendelssohn-Bartholdy (1809-1847) was a German composer who bridged Classical and Romantic idioms with remarkable clarity and craft. His symphonies, concertos, and chamber works demonstrate a gift for elegant orchestration and memorable melody; he wrote nine symphonies before his death at 38, establishing himself as one of the 19th century's most influential composers.

Mendelssohn's output includes some of music education's most enduring repertoire: the Violin Concerto, the Midsummer Night's Dream overture, and the Hebrides Overture remain standards in conservatories and concert halls. His symphonies reflect his travels, his deep knowledge of Bach and Handel, and his conviction that instrumental music could convey emotion and narrative as vividly as vocal works.

Show moreShow less

Why we love this

Kirk Moss's rescoring transforms a pedagogically awkward six-voice original into a clean, playable string orchestra arrangement that introduces young musicians to authentic Romantic-era orchestration without sacrifice of musical substance. The strategic omission of one recapitulation actually strengthens the form by eliminating repetition and throwing focus onto Mendelssohn's harmonic boldness, particularly the pivotal shift to A major. Clear bowings and professional-level fingerings mean you spend rehearsal time on musicality, not deciphering notation.

What to expect

The piece opens with restraint and gravity, the slow introduction commanding attention through weight rather than volume. When the Allegro enters, the mood lifts into conversation and interplay; melodies dance across the sections with Mendelssohn's characteristic elegance. The harmonic pivot to A major arrives like a sudden shift in light, brightening the landscape before the inevitable return home.

Who it's for

Intermediate to advancing string orchestras at the secondary level and serious youth ensembles ready to tackle substantive Romantic repertoire. This arrangement serves conductors seeking a work that teaches sonata form through genuine musical experience rather than textbook examples, offering grade-4 technical demands without compromising artistic integrity.

How to get the most out of it

Shape the Grave introduction with a unified bow approach across all sections; the somber character depends on precise attacks and a disciplined diminuendo into the Allegro transition.
Emphasize the lyrical quality of the main Allegro theme by encouraging singers' phrasing from your string players; this melody deserves the breath and line of a vocal line.
Highlight the modulation to A major through dynamic clarity in the violin parts; younger orchestras often blur harmonic color changes, so isolate this passage in sectional rehearsals.
Balance the recapitulation carefully so that the return to C major feels earned and affirmative rather than anticlimactic after the extended A-major section.

How to use it

Program this as an anchor work on a concert devoted to 19th-century orchestral literature, pairing it with lighter contemporary works or Baroque overtures to create historical perspective. Its modest 8:30 duration makes it ideal for festival competition or as a concert opener that establishes sophistication and sets a serious tone for the program.