Sinfonia No. 7: String Symphony in D minor Cover Image

Sinfonia No. 7: String Symphony in D minor: String Orchestra Conductor Score and Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
Skip to product information
Sinfonia No. 7: String Symphony in D minor Cover Image

Sinfonia No. 7: String Symphony in D minor: String Orchestra Conductor Score and Parts

By Felix Mendelssohn, ed. Hellmuth Christian Wolff/ Lucas Drew

Item: 36-A774690

$75.00
Shipped

One moment…

Description
This is the seventh among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classical symphonies by composers such as Haydn, J.C. Bach, C.P.E. Bach, and Mozart, a feature much more obvious in the first six as they were more imitative. The second grouping, starting with Sinfonia No. 7, show more of the composer's emerging personal style. Mendelssohn composed most of the thirteen works in three movements, but his seventh is an exception to the rule, with four movements instead. A count of 8-8-5-5-5 strings are included in this set.

Sinfonia No. 7: String Symphony in D minor: String Orchestra Conductor Score and Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Critical Editions
Publisher: Keiser Productions, Inc.
UPC: 660355017391
SKU: 36-A774690
Instrumentation: String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) composed his thirteen string symphonies between 1821 and 1823, during his early teenage years. These works reveal a young composer already engaging seriously with Classical forms while beginning to forge his own musical voice. The symphonies document his compositional development during a formative period and remain essential documents of the Romantic era's relationship to Classical inheritance.

Mendelssohn's early mastery of orchestration and harmonic language, evident even in adolescence, made him one of the most celebrated composers of the nineteenth century. His string symphonies occupy a unique place in the repertoire: too sophisticated to dismiss as juvenilia, yet intimate enough to show the composer still learning his craft. They continue to reward both student and professional ensembles.

Why we love this

This is where you see Mendelssohn's personal voice emerging clearly from the Classical template. Unlike the earlier symphonies in the cycle, the Seventh breaks form with a four-movement structure and displays harmonic adventurousness that signals the Romantic sensibility to come. The D minor tonality and orchestral writing are assured and expressive without ever becoming overwrought, making this an ideal introduction to Mendelssohn's symphonic thinking for young orchestras.

What to expect

The D minor tonality carries urgency and introspection without melodrama. Elegant Classical phrasing frames moments of genuine emotional depth, particularly in the slower movements. The orchestration is transparent and clean, allowing each strand of the string writing to breathe while maintaining the formal rigor Mendelssohn admired in his predecessors.

Who it's for

This work serves advanced youth orchestras, college and university string orchestras, and professional ensembles seeking to expand their Mendelssohn repertoire beyond the familiar Overture to A Midsummer Night's Dream. The four-movement design and harmonic sophistication demand secure reading and musical maturity, making it suitable for programs that have mastered solid Mozart and early Haydn symphonies.

How to get the most out of it

  • Attend to the balance between the two violin sections; Mendelssohn's textures often distribute thematic material between firsts and seconds in ways that demand clarity and independence from both parts.
  • Shape the harmonic progressions with subtle dynamic inflection rather than sudden shifts. The language is expressive but refined, and restraint serves the music.
  • Use the critical edition annotations to inform your approach to articulation and phrasing; period-informed interpretation choices will clarify Mendelssohn's structural intentions.

How to use it

Program this as the centerpiece of a Classical-to-Romantic transition concert, pairing it with a mature Haydn symphony and a later Mendelssohn orchestral work to show the arc of the composer's growth. Alternatively, it fits naturally within a comprehensive Mendelssohn survey, bridging the youth works and the mature symphonies students may already know.

Skills your students will build

  • Reading four-movement symphonic form with structural clarity
  • Balancing independent violin sections carrying equal thematic weight
  • Executing articulation and phrasing appropriate to the Romantic interpretation of Classical style
  • Achieving transparency in densely voiced string writing
  • Responding to period-specific ornamentation and embellishment conventions

You May Also Like