Since U Been Gone (as performed in Pitch Perfect) (arr. Deke Sharon) Sheet Music Preview

Since U Been Gone (as performed in Pitch Perfect) (arr. Deke Sharon): SSA Choral Octavo

As performed by Kelly Clarkson / As performed by Pitch Perfect (Movie) / Arranged by Deke Sharon

Item: 35-DS00260756

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00260756

More about this title

About the Artist: Kelly Clarkson

Kelly Clarkson burst onto the music scene as the first American Idol winner in 2002, establishing herself as a powerhouse vocalist with genuine emotional range. Her catalog spans pop, rock, and country influences, and her willingness to tackle both vulnerable ballads and anthemic uptempo songs has made her a fixture in contemporary music education and entertainment.

Why we love this

Deke Sharon's arrangement captures the infectious defiance of the original while tailoring it perfectly for SSA voices. The vocal writing sits comfortably across three parts without sacrificing the sass and swagger that made this song a cultural moment, and the Pitch Perfect association gives students repertoire they genuinely recognize and want to sing.

What to expect

Propulsive and buoyant, with an undercurrent of cathartic release. The energy never lets up, building through layers of vocal texture to moments of gleeful defiance that feel earned rather than manufactured.

Who it's for

Choirs with solid intonation and rhythmic confidence who want contemporary repertoire that engages student performers and audiences alike. This works equally well for show choirs, competitive a cappella groups, and concert choirs looking to expand beyond traditional classical voicings.

How to get the most out of it

  • Nail the rhythmic precision in the opening phrases. The snappiness of the entrance sets the attitude for the entire piece.
  • Balance the harmony so the upper voices cut through without drowning out the harmonic foundation. Test your dynamics in full voice before dialing them back.
  • Lean into the vocal character. This isn't a concert hymn; it's a moment of theatrical confidence that thrives when singers commit to the attitude.
  • Lock the syllable attacks across all three parts on the rhythmically active passages. Slight delays between sections will muddy the punch.

How to use it

Pair this with other contemporary pop arrangements in a spring concert or showcase to demonstrate your ensemble's versatility and range. It also works as a show choir anchor piece or as the emotional peak of a program focused on empowerment themes.

Skills your students will build

  • Rhythmic precision and synchronization in fast-moving passages
  • Intonation stability across three independent melodic lines
  • Vocal characterization and performance attitude
  • Stylistic distinction between pop and classical vocal approaches
  • Part independence and harmonic listening

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