Since I Don't Have You (from The Daily Ukulele) (arr. Jim Beloff): Ukulele
Since I Don't Have You (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

Since I Don't Have You (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by The Skyliners / Arranged by Jim Beloff

Item: 35-DS01532620
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Description

Since I Don't Have You (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01532620

More about this title

About the Artist: The Skyliners

The Skyliners emerged from Pittsburgh in the mid-1950s as one of the era's most distinctive vocal groups, blending doo-wop sensibilities with sophisticated harmony arrangements. Their 1959 hit "Since I Don't Have You" became an enduring standard, showcasing the group's ability to convey genuine emotion through carefully voiced chords and understated vocal delivery.

The group's influence extends well beyond their original recordings. Their approach to arrangement and vocal balance has made their songs natural fits for ukulele adaptation, where the intimacy of their original performances translates beautifully to the instrument's warm, immediate character.

Why we love this

Jim Beloff's arrangement captures the tender vulnerability of this classic without oversimplifying it. The piece works equally well as a solo vehicle for advanced students or as an accessible entry point for intermediate players curious about jazz-influenced harmony and phrasing.

What to expect

Wistful and introspective, with moments of quiet longing woven through the progression. The arrangement preserves the original recording's emotional directness while giving the ukulele space to breathe and shape the melody.

Who it's for

Intermediate ukulele players ready to explore repertoire beyond folk standards will find this accessible yet musically substantial. It's equally suited for students building their jazz vocabulary or those drawn to vocal standards arranged for solo ukulele.

How to get the most out of it

  • Pay attention to rubato in the vocal line; this isn't a metronomic piece. The natural speech rhythm of the lyrics should inform your timing.
  • Shape phrases toward the highest note, then let the line settle back down. This creates the architectural movement the original vocal arrangement relies on.
  • Keep the ukulele comping light and conversational rather than filling every beat. Sparse playing actually serves the intimacy better.

How to use it

Place this in a set of standards or classic pop songs to show how ukulele repertoire can extend into sophisticated territory. It pairs naturally with other vocal standards arranged for solo ukulele and works as a concert closer where understated emotion carries more weight than technical fireworks.

Skills your students will build

  • Phrasing and rubato within a jazz-influenced harmonic framework
  • Balancing melody and harmony in solo ukulele playing
  • Interpreting a vocal melody on an instrumental instrument
  • Understanding voice-leading and chord changes from the arranger's perspective

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