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Simply Scales and Arpeggios for Violin: Violin Book

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Simply Scales and Arpeggios for Violin Cover Image

Simply Scales and Arpeggios for Violin: Violin Book

By Lynne Latham

Grade: 1.5

Item: 36-52710542

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Description
This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876944-0
ISBN13: 978-1-62-876944-9
UPC: 679360759523
SKU: 36-52710542
Instrumentation: Violin Solo

More about this title

About the Composer: Lynne Latham

Lynne Latham brings decades of string pedagogy expertise to this collection, having worked directly with students navigating audition preparation and technique building. Her approach to scale study prioritizes clarity and practical application, rooted in her understanding of what violinists actually need to master at each stage of development.

Latham's contribution to music education extends beyond individual pieces; she designs learning materials that teachers can adapt and personalize. The inclusion of blank staves and her introductory guidance on practice strategy reflect her belief that scale work is not a rote exercise but a foundation for informed musical growth.

Why we love this

Latham strips away the confusion that often surrounds scale practice by presenting a clear, logical progression that matches how students actually develop. The blank staves and deliberate omission of predetermined bowings and fingerings turn this into a teaching tool rather than a rigid workbook, giving you space to customize instruction for each student's needs.

What to expect

Working through these scales feels like building a house room by room, with each octave adding another layer of confidence. The progression from one to three octaves mirrors real growth, and the inclusion of blues scales reminds students that technique serves music, not the other way around.

Who it's for

Beginning to early intermediate violin students preparing for auditions, orchestra placement tests, or simply building a solid technical foundation. Teachers who want a structured yet flexible scale resource will find this workbook cuts through the excess and focuses on what matters most.

How to get the most out of it

  • Study Latham's introduction on scale construction before beginning; understanding how scales are built transforms mechanical finger patterns into something students can reason through.
  • Use the blank staves to notate your preferred bowings and fingerings, creating a personalized reference your students can return to throughout their playing life.
  • Progress through one-octave scales thoroughly before expanding to two-octave patterns; mastery at each stage prevents the technique from becoming sloppy as the range increases.
  • Incorporate the blues scales as a musical reward after students solidify major and minor patterns, demonstrating that scale work connects directly to styles and sounds they want to play.

How to use it

Assign scales systematically during the first part of the school year when students are settling into new groups, using the structured progression to establish consistent practice habits. The blues scales offer an excellent bridge between classical scale work and styles your students may encounter in jazz or contemporary ensembles.

Skills your students will build

  • Playing one-octave, two-octave, and three-octave major and minor scales in keys up to five sharps and flats
  • Understanding scale construction through interval relationships and theoretical foundations
  • Reading and executing blues scale patterns
  • Developing consistent intonation across extended ranges
  • Building muscle memory for finger patterns across the entire fingerboard

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