Simply Rock 50s Cover Image

Simply Rock 50s: Piano Book

$12.95 USD
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Simply Rock 50s Cover Image

Simply Rock 50s: Piano Book

22 Rockin' Hits of the 1950s

Arranged by Dan Coates

Level: Easy Piano

Item: 00-30043

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Description
Great classic rock songs from the 1950s---arranged for the intermediate pianist---contain phrase markings, articulations, fingering and dynamics to aid with interpretation. The large print size makes the notation easy to read. Titles: Ain't That a Shame * Blueberry Hill * Chantilly Lace * Do You Want to Dance * Earth Angel (Will You Be Mine) * Great Balls of Fire * Hold Me, Thrill Me, Kiss Me * I'm Walkin' * Let the Good Times Roll * Lipstick on Your Collar * Mr. Lee * Peter Gunn * (We're Gonna) Rock Around the Clock * A Rockin' Good Way (To Mess Around and Fall In Love) * See You in September * Shake Rattle and Roll * Sh-Boom (Life Could Be a Dream) * Sixteen Candles * Splish Splash * Summertime Blues * A Teenager In Love * What'd I Say.

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Additional Details
Series: Simply Series
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-5877-0
ISBN13: 978-0-7390-5877-0
UPC: 038081351520
SKU: 00-30043

More about this title

About the Arranger: Dan Coates

Dan Coates

Dan Coates has built a career translating popular music into accessible piano arrangements since 1976. Working with major composers and recording artists including John Williams, Burt Bacharach, and Elton John, he has earned their trust for preserving the character and energy of original recordings while making them playable across skill levels. His output spans film scores, television themes, Broadway standards, and contemporary pop and rock hits.

Beyond arrangement work, Coates composes original pieces designed specifically for student pianists at various stages. His publications through Alfred have sold over 4.4 million copies, making him one of the company's most successful arrangers. His arrangements consistently prioritize both musical integrity and pedagogical clarity.

Why we love this

These arrangements strike the rare balance of staying true to what made these songs radio hits while remaining genuinely playable at the intermediate level. The fingering, dynamics, and phrase markings do the interpretive work for you, so students can focus on bringing energy and character to music they actually want to play. Twenty-two songs in one book means your pianist always has authentic material ready for recitals, informal performances, or the simple joy of playing songs they recognize.

What to expect

Stepping into a 1950s jukebox with your hands on the keys. These arrangements capture the optimism, humor, and infectious rhythms of early rock and roll without overcomplicating the piano part. You'll hear echoes of the original recordings while making these songs entirely your own.

Who it's for

Intermediate pianists ready to move beyond classical repertoire into music with real stylistic bite. Anyone preparing for a casual performance or recital who wants recognizable, era-defining songs that don't require virtuoso technique. Teachers building repertoire lists that keep intermediate students engaged and excited about practice.

How to get the most out of it

  • Maintain the rhythmic drive these songs demand; don't let the intermediate-level arrangement flatten the swagger. Keep the tempo steady and the offbeat figures crisp.
  • Let the articulation markings guide your touch. Where Coates marks notes staccato, use that to create the snappy character of 1950s rock; where he marks legato, lean into the smoother passages.
  • Use the large print to your advantage by sight-reading through multiple songs in a session. These arrangements reward fluency and familiarity.

How to use it

Program a nostalgic 1950s set at a spring recital, pairing these piano solos with vocal performances for a fuller ensemble sound. Use individual songs as warm-ups or rewards during technique-focused lessons. Build a themed concert around American popular music and anchor it with these authentic arrangements.

Skills your students will build

  • Reading and interpreting fingering and articulation markings in pop and rock contexts
  • Maintaining rhythmic precision in syncopated figures and offbeat accompaniment patterns
  • Balancing melody and accompaniment to capture the character of the original arrangement
  • Sight-reading fluency across multiple songs and styles within a single collection

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