Simple Gifts (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Simple Gifts (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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Simple Gifts (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

Simple Gifts (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Hayes

Item: 00-A-00015920

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015920

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he received the Distinguished Alumni award. Before becoming a full-time composer, he spent eight years in rights and licensing administration for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

Althouse has composed more than 800 choral works performed throughout the English-speaking world. His catalog spans children's musicals (co-written with his wife Sally K. Albrecht), vocal solo collections including Folk Songs for Solo Singers, and pedagogical resources like The Complete Choral Warm-up Book and Accent on Composers. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. His choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. Althouse currently serves on the National Advisory Board of the Folk Art Society of America and contributes to its quarterly publication.

Why we love this

Althouse's arrangement respects the American spiritual tradition while keeping the song accessible for medium-low voices. The SoundTrax accompaniment gives your singers professional backing for solo performance, contest, or recital without requiring an accompanist.

What to expect

Simple Gifts carries the quiet reverence of its Shaker hymn origins while maintaining approachability. The melody unfolds with gentle honesty, inviting singers to connect with the text about the value of simplicity and gratitude rather than demand technical virtuosity.

Who it's for

Solo singers with medium-low voices preparing for recitals, competitions, or ensemble festival solo categories. This is especially valuable for singers who need professional backing but don't have reliable accompanist access.

How to get the most out of it

  • Balance the vocal line with clear diction in the storytelling sections; let the simple melody carry the text naturally rather than oversinging it.
  • Use the SoundTrax accompaniment to establish your tempo and phrasing before the first rehearsal; this familiarity will make full run-throughs more efficient.
  • Shape dynamic changes subtly throughout the verses to maintain the meditative quality of the song rather than building intensity toward a climactic moment.
  • Practice the breath points in advance so they align with the recorded accompaniment's phrasing and don't interrupt the melodic line awkwardly.

How to use it

Pair this with other American folk songs or spirituals to create a program segment exploring the roots of American vocal literature. It works particularly well as a closing piece, leaving the audience with the song's message of contentment and spiritual grounding.

Skills your students will build

  • Singing with clear vowel formation across the medium-low range
  • Maintaining steady phrasing and breath control over longer melodic lines
  • Developing interpretive choices about text inflection within a simple melody
  • Responding to recorded accompaniment cues for tempo and dynamic balance

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