Sim Shalom (Grant Us Peace) Sheet Music Preview

Sim Shalom (Grant Us Peace): 2-Part Choral Octavo

By Ruth Morris Gray

Item: 35-DS00448009

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00448009

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray directs choirs at Rosemead High School in California, where she has shaped the vocal program since 2004. Her dual expertise spans both performance and composition; she holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, with credentials from California State University, Northridge.

With more than 100 published choral works to her name, Gray draws on deep classroom experience to craft pieces that serve singers and directors alike. Her compositions balance accessibility with musical substance, reflecting years of understanding what works in rehearsal and what resonates in performance.

Why we love this

Gray writes with keen awareness of what 2-part singers can accomplish musically without drowning in technical demands. The text setting here honors the Hebrew blessing while maintaining clear, singable lines that let young choirs sound mature and intentional from measure one.

What to expect

Sim Shalom carries the quiet dignity of a genuine prayer without theatrical sentimentality. The two-part texture creates space and intimacy, allowing the blessing text to speak clearly while the music enfolds it in harmonic warmth and gentle motion.

Who it's for

This octavo serves choirs at the developing level who are ready to explore meaningful sacred and secular concert material with substance. It works equally well for high school programs, community choirs, and advanced middle school ensembles seeking a piece that doesn't rely on pop or musical theater idioms.

How to get the most out of it

  • Treat the harmonic movement deliberately; even in a prayer-like setting, forward motion matters. Shape each phrase toward its natural cadence point rather than treating it as static background.
  • Let your singers breathe the text. A blessing is not rushed. Build in physical space for preparation breaths and give the piece room to resonate.
  • Balance the parts so neither voice dominates. In 2-part writing, both lines deserve presence. Adjust voicing placement in your rehearsal space if needed to ensure blend.

How to use it

Pair this with other world music or faith-based repertoire in a concert exploring different spiritual traditions and texts. Its moderate length and clear message make it an ideal closer for a devotional program section, or a graceful opener that sets a reflective tone for the evening.

Skills your students will build

  • Singing in parallel and contrary motion between two distinct voices
  • Approaching sacred text with musical reverence and accurate diction
  • Sustaining line integrity in harmonic writing without doubling or reinforcement
  • Balancing blend and independence in 2-part texture

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