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Silverado: Concert Band Conductor Score

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Silverado: Concert Band Conductor Score

By Bruce Broughton / arr. Randol Alan Bass

Grade: 4 (Medium)

Item: 00-29632S

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Description
This is the definitive arrangement of Silverado! Scored with composer Bruce Broughton's blessing, this Randol Bass arrangement will undoubtedly be the highlight of your program. Featuring soaring woodwind lines intertwined seamlessly with bold brass melodic statements, this arrangement is impressive to the max! (6:30) This title is available in MakeMusic Cloud.

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Additional Details
Series: Pop Symphonic Band
Publisher: Alfred Music
Page Count: 28
ISBN10: 1-4706-5441-5
ISBN13: 978-1-4706-5441-2
UPC: 038081329529
SKU: 00-29632S

More about this title

About the Composer: Bruce Broughton

Bruce Broughton

Bruce Broughton has shaped the sound of American film and television for decades. His film scores for Silverado, Tombstone, The Rescuers Down Under, Miracle on 34th Street, and the Homeward Bound films have become iconic; his television work spans from Steven Spielberg's Tiny Toon Adventures and Seth MacFarlane's The Orville to long-running series like JAG, Dallas, and Hawaii Five-O. He has received ten Emmy Awards from twenty-three nominations, along with Oscar and Grammy nominations, and composed music for countless Disney theme park attractions worldwide.

Beyond screen work, Broughton has established himself as a concert composer with pieces performed by the Cleveland Orchestra, Chicago Symphony, and Los Angeles Chamber Orchestra. He serves as a Board member of ASCAP and has held leadership roles in the Academy of Television Arts and Sciences, the Academy of Motion Picture Arts and Sciences, and as founding president of The Society of Composers and Lyricists.

Why we love this

Randol Bass's arrangement captures everything that made Broughton's original film score memorable: sweeping woodwind passages that soar above richly voiced brass lines, all crafted to sit perfectly in the concert band idiom. At Grade 4, the writing remains accessible without sacrificing sophistication or impact, making this an exceptional choice for ensembles ready to program something that sounds genuinely cinematic. Your audience will recognize this music instantly, and your students will feel the weight of playing material that belongs in a real film score.

What to expect

Silverado captures the scope and adventure of its film origin: wide-open frontier vistas, heroic melodic statements, and a sense of forward momentum. The arrangement moves fluidly between intimate woodwind storytelling and bold brass proclamation, creating an experience that feels cinematic and expansive without ever losing clarity or balance.

Who it's for

Concert bands at Grade 4 level seeking repertoire with immediate recognizable appeal and genuine musical substance. This works especially well for ensembles that enjoy film and television music or want to introduce students to how orchestral writing translates to the band medium.

How to get the most out of it

  • Balance the interplay between woodwind solos and brass melodic statements carefully; the arrangement's magic lives in how these voices weave together rather than compete for dominance.
  • Shape phrase endings with intention, especially during woodwind passages. Broughton's film scores depend on musical storytelling, and your conductor score will reveal exactly where the music breathes.
  • Let the 6:30 length work for you programmatically. This is substantial enough to anchor a concert segment but concise enough to pair effectively with shorter works or transitions.

How to use it

Program this as a standout feature in a concert devoted to film and television music, or use it as the centerpiece of a program exploring how American composers score for different media. The 6:30 duration and Grade 4 accessibility make it an ideal anchor piece for a concert that includes both lighter popular selections and more classical repertoire.

Skills your students will build

  • Balancing melodic lines across instrument families in a thickly scored arrangement
  • Sustaining clarity and intonation through extended harmonic movement
  • Shaping longer musical phrases with narrative arc
  • Ensemble blend across multiple voice parts moving at different rhythmic speeds
  • Reading and executing the technical demands of woodwind soloists within a full ensemble context

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