Silver Lining: SSA Choral Octavo
(Crazy 'Bout You)
Words and music by Diane Warren / arr. Greg Gilpin
Item: 00-PO-0001989
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Diane Warren
Diane Warren is one of the most prolific songwriters in contemporary music, with a catalog spanning film, television, and popular recording artists. Her compositions have earned Grammy nominations, Academy Award nominations, and placements in major motion pictures, making her a significant figure in the intersection of pop music and film scoring.
Why we love this
Greg Gilpin's arrangement captures the infectious energy of the original without sacrificing singability for SSA voices. The accessible vocal writing and built-in hook make this a piece that engages singers immediately while the contemporary production style appeals to students who connect with current pop music. Programming a Grammy-nominated film theme signals to your ensemble that choral music belongs in contemporary culture.
What to expect
The piece radiates optimism and propulsive momentum, driven by its electronic rhythm and memorable melodic hook. From the opening solo through the layered harmony sections, the arrangement builds an infectious, radio-ready energy that feels modern and accessible.
Who it's for
This arrangement works for SSA choirs at the middle school through community level, particularly ensembles seeking contemporary repertoire that connects with students' musical lives. Directors programming pop and secular music will find this piece energetic and engaging without requiring advanced vocal technique.
How to get the most out of it
- Establish the techno-beat foundation in early rehearsals by having the rhythm section lock the groove before layering vocal parts; the piece's accessibility depends on rhythmic precision.
- Balance the opening solo line so it cuts through the accompaniment without straining; this is your entry point to capture listener attention.
- Keep articulation crisp and synchronized across all three parts, especially during the hook, to maximize the pop sensibility of the arrangement.
How to use it
This works as a standout opening number for a pop or contemporary music concert, or as a bridge piece between classical and pop repertoire on a mixed program. Its film connection also makes it suitable for themed concerts celebrating movie soundtracks or contemporary music in cinema.
Skills your students will build
- Singing with consistent rhythmic precision in contemporary pop styles
- Balancing ensemble blend with a featured solo line
- Matching articulation and phrasing to pop/rock vocal conventions