Silent Night (Mixed Voices) Cover Image

Silent Night (Mixed Voices): Choral Octavo

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Silent Night (Mixed Voices) Cover Image

Silent Night (Mixed Voices): Choral Octavo

By Erik Ešenvalds/Words by Franz Xaver Gruber (1787-1863)

Item: 98-MB4316

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Description
A hauntingly beautiful new setting of Silent Night by Latvia's most successful choral composer, Erik Ešenvalds. For soloists (SSATBarB); mixed voices (SSSAATTBB); glockenspiel and water-tuned glasees.German version also available, MB4317

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Additional Details
Series: Musica Baltica
Publisher: Latvia
ISBN13: 979-0-265-04213-6
SKU: 98-MB4316

More about this title

About the Composer: Erik Ešenvalds

Erik Ešenvalds stands as Latvia's most internationally performed contemporary choral composer, with a catalog that balances liturgical depth and accessible beauty. His music draws on Baltic musical traditions while employing modern harmonic language, creating works that resonate across both concert halls and worship spaces.

Why we love this

Ešenvalds transforms this beloved carol into something luminous without losing its meditative core. The layered voicing for soloists and full ensemble, combined with the ethereal wash of glockenspiel and water-tuned glasses, creates a sonic environment that feels both intimate and expansive—demanding careful attention to blend and dynamics in ways that deepen singers' musicianship.

What to expect

A carol suspended in quiet stillness. The interplay of voices creates shifting harmonies that feel both familiar and unexpected, while the shimmering percussion floats overhead like frost catching moonlight. This is Silent Night emptied of sentimentality and filled instead with contemplative grace.

Who it's for

Advanced mixed choirs seeking sacred repertoire that challenges singers beyond standard Christmas fare. This setting suits ensembles with flexible solo casting and access to percussion instruments, working particularly well for winter concerts or liturgical settings that prioritize artistic depth.

How to get the most out of it

  • Balance the solo passages so they float above rather than cut through the ensemble texture; the soloists should feel integrated into the harmony, not separated from it.
  • Treat the glockenspiel and water-tuned glasses as essential melodic and atmospheric elements, not mere decoration. Work with your instrumentalists from early rehearsals to establish the precise timing of these sustained tones.
  • Shape phrases by following the natural contours of the harmonic movement rather than traditional melodic peaks; this score rewards singers who listen vertically.
  • Experiment with tempo flexibility across sections. The piece breathes differently when soloists take the foreground versus when the full ensemble enters.

How to use it

Position this as a concert anchor where you want the audience to sit in sustained attention rather than drift into nostalgia. It pairs beautifully alongside other sacred contemporary works and provides a sophisticated counterpoint to traditional carol arrangements elsewhere in the program. The piece also serves liturgical contexts where a meditative moment of genuine artistry strengthens the experience.

Skills your students will build

  • Harmonic listening and blend across divided voicing
  • Sustained tone production and breath control across long phrases
  • Ensemble coordination with instrumental accompaniment
  • Interpretive flexibility through dynamic shaping and tempo nuance
  • Solo performance technique within a choral context

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