Signature Solos, Book 5 Cover Image

Signature Solos, Book 5: Piano Book

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Signature Solos, Book 5 Cover Image

Signature Solos, Book 5: Piano Book

9 All-New Piano Solos by Favorite Alfred Composers

Selected and edited by Gayle Kowalchyk

Level: Late Intermediate

Item: 00-45051

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Description
Each collection in the Signature Solos series includes all-new piano solos by favorite Alfred Music composers in a variety of musical styles. Every solo was written for its appealing sound and ability to further the technical and musical growth of the student. These solos can be played either formally in recitals or informally for friends and family! Titles: All Is Calm (Dennis Alexander) * Graceful Waltz (Melody Bober) * Blue Kiss: A Lullaby (Christopher Brennan) * Rockin' Hard (Tony Caramia) * Sunset Nocturne (Lee Galloway) * A Song for Megan (W. T. Skye Garcia) * Shadowbrook (Kathy Holmes) * Echoes from the Past (Martha Mier) * Ghost Fantasy (Judy East Wells).

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Additional Details
Series: Signature Solos
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-3217-9
ISBN13: 978-1-4706-3217-5
UPC: 038081515038
SKU: 00-45051

More about this title

Why we love this

This collection brings together nine composers whose voices span classical restraint to contemporary energy, all working in accessible late intermediate territory. You get real stylistic variety within a single book, making it easy to program a recital with genuine contrast or to match repertoire to individual student strengths.

What to expect

This book spans intimate, reflective moments alongside pieces with rhythmic drive and contemporary color. You'll find lyrical nocturnes resting alongside up-tempo rockers, with waltzes and fantasies filling the emotional middle ground.

Who it's for

Piano students at the late intermediate level who are ready for repertoire that demands both technical control and musical sensitivity. Teachers seeking individual recital pieces that showcase growth without overwhelming students with unnecessary complexity.

How to get the most out of it

  • Record yourself playing each piece and listen back for balance between melody and accompaniment; late intermediate piano often benefits from intentional dynamic shaping that recordings make audible.
  • Mark fingering choices in pencil before your first run-through, especially in the waltz and nocturne where hand position shifts are frequent.
  • Use the key signature and tempo marking as your starting point for interpretation; these pieces reward attention to the composer's specific character indications rather than pushing for speed.
  • Practice the rhythmic patterns in isolation if syncopation or syncopated accompaniment figures feel uneven; late intermediate students often benefit from counting aloud through tricky sections first.

How to use it

Create a diverse recital program by choosing pieces that contrast with one another; the range here lets you pair introspective work with energetic material. A single piece works just as well in a student showcase, informal studio gathering, or formal recital setting where you want to feature your student's developing artistic voice.

Skills your students will build

  • Controlling dynamic shaping in melody and accompaniment independently
  • Reading and executing tempo and character markings with intention
  • Managing hand position shifts across multiple octaves
  • Interpreting stylistic differences between classical waltz, contemporary lullaby, and rock-influenced figures
  • Sustaining musical phrasing across 8 and 16-bar sections
  • Executing syncopated rhythmic patterns with rhythmic clarity

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