Signature Solos, Book 3: 9 All-New Piano Solos by Favorite Alfred Composers: Piano
9 All-New Piano Solos by Favorite Alfred Composers
Selected and edited by Gayle Kowalchyk
Level: Early Intermediate
Item: 00-PB-0000543
Pickup currently not available
Related Items
Signature Solos, Book 3: Piano Book |
$8.99
|
View |
Description
Signature Solos, Book 3: 9 All-New Piano Solos by Favorite Alfred Composers: Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Creator
Signature Solos, Book 3 brings together nine composers whose work has shaped contemporary piano pedagogy. Melody Bober, Ted Cooper, W. T. Skye Garcia, Chris Goldston, Kathy Holmes, Martha Mier, Wynn-Anne Rossi, and Robert D. Vandall have each contributed fresh material written specifically for students at this level, balancing technical challenge with genuine musical reward.
These composers understand what early intermediate pianists need: pieces that sound polished from the first performance, styles that feel current and engaging, and compositional craft that teaches without lecturing. Their combined catalog has set standards for accessible yet artful student piano repertoire.
Why we love this
You get nine completely different musical worlds in one collection, each one classroom-tested and recital-ready. The stylistic range means every student finds something that speaks to them, whether that's the rhythmic punch of Stomp! or the atmospheric depth of Nocturne. Recognition as a Federation Festivals selection confirms what you'll hear immediately: this is repertoire that stands up to serious programming.
What to expect
Opening this book is like getting a guided tour of contemporary piano styles. One moment you're in the smoky world of jazz riffs, the next you're walking through misty forests or discovering the spark in an unexpected character piece. The writing is consistently elegant and purposeful, never wasting a note.
Who it's for
Early intermediate piano students preparing for recitals, festival competitions, or casual performances need substantive material that doesn't condescend. This collection speaks directly to that need, offering pieces that sound impressive and feel good to play without requiring advanced technique.
How to get the most out of it
- Listen closely to how rhythm and groove function in pieces like Jazz Riff and Stomp!. These aren't just about hitting the right keys; they're about feeling the pocket and letting rhythmic precision create the excitement.
- Slow pieces like Nocturne and Looking Through the Mist reward attention to pedal control. Experiment with partial pedal changes to keep harmonic color without muddying texture.
- Approach the character pieces (Dance of the Gypsies, Outfoxed!) with deliberate musical choices about tempo flexibility and dynamic shape. These solos gain personality when students commit to interpretation.
- For pieces with contemporary idioms like Cloud Forests, pay attention to how articulation and touch create color. The written notes are only half the story.
How to use it
Pull individual pieces for different concert contexts throughout the year. A spring recital might feature Jazz Riff and New Day as contrasting openers, while Mystery of the Black Diamond works as a dramatic closer. The variety also makes this ideal for student juries and informal performance opportunities where choosing the right mood matters.
Skills your students will build
- Jazz rhythm and comping patterns (specific to Jazz Riff)
- Sustain pedal control and harmonic clarity in impressionistic writing
- Character interpretation and stylistic differentiation across nine distinct pieces
- Rhythmic precision in contemporary and rhythmically active idioms
- Voice leading and harmonic awareness through varied compositional approaches
- Confidence performing solo repertoire across multiple moods and technical demands