Sight Reading & Rhythm Every Day®, Book 4A Cover Image

Sight Reading & Rhythm Every Day®, Book 4A: Early Intermediate Piano Book

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Sight Reading & Rhythm Every Day®, Book 4A Cover Image

Sight Reading & Rhythm Every Day®, Book 4A: Early Intermediate Piano Book

By Helen Marlais, Kevin Olson

Level: Early Intermediate

Item: 98-FJH1541

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Description
In Book 4A of this outstanding series, Helen Marlais along with Kevin Olson, provide students with creative, structured lessons and activities to further develop their sight reading abilities. New concepts include: sliding the thumb under the third finger; reading intervals that include ledger lines; the beginning of playing one octave scales; further study of intervals, cadences, chord progressions, and keys; to name a few.

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Additional Details
Series: The FJH Pianist's Curriculum
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-618-3
ISBN13: 978-1-56-939618-6
UPC: 674398221349
SKU: 98-FJH1541

More about this title

About the Composer: Helen Marlais

Helen Marlais is a pianist, composer, and music educator whose work spans performance, pedagogy, and curriculum development. Her extensive experience teaching at the university level and working with students across all proficiency levels has shaped her philosophy that musicianship skills must be systematically integrated into daily practice, not separated from it.

Why we love this

Book 4A strikes the balance between targeted technical development and genuine musical engagement that many intermediate methods struggle to achieve. The progression builds naturally on foundational skills while introducing concepts like thumb sliding and ledger line reading through carefully sequenced exercises rather than isolated drills. Students emerge with measurable improvements in sight reading fluency alongside deeper understanding of harmonic structure.

What to expect

Purposeful and progressive. Exercises feel like problem-solving sessions rather than busy work, with each activity building logically toward the next. Students experience the satisfaction of decoding increasingly sophisticated musical material while simultaneously understanding the harmonic logic beneath what they're reading.

Who it's for

Early intermediate piano students ready to move beyond single-position reading and basic hand shapes. Teachers seeking a method that systematically builds musicianship fundamentals without relying on supplementary materials.

How to get the most out of it

  • Work through the thumb sliding exercises slowly at first, establishing the finger position before attempting passage-work tempo. This technique takes time to feel natural under the hand.
  • When introducing ledger line reading, anchor students by having them identify the line or space relative to the staff rather than counting up from middle C each time. Consistency in reference points accelerates fluency.
  • Layer the interval and cadence work with actual repertoire they're learning in parallel. The connections between theory and applied playing cement both skill sets.
  • Assign one new concept per week rather than frontloading the entire book. The cumulative structure works best when students have time to internalize each layer before adding complexity.

How to use it

Integrate this as your primary musicianship text during the early intermediate years, assigning activities 2-3 times weekly alongside repertoire study. The interval and cadence work translates directly into how students interpret the classical and contemporary pieces they're preparing. Consider using the sight reading exercises as opening activities during group lessons to build confidence across your studio.

Skills your students will build

  • Thumb sliding technique under the third and fourth fingers
  • Reading intervals above and below the staff using ledger lines
  • One-octave major and minor scale playing
  • Identifying and recognizing common chord progressions
  • Understanding cadences (authentic, plagal, half cadences) in context
  • Sight reading accuracy in mixed keys beyond the standard five-sharp and five-flat range
  • Rapid interval recognition without counting individual notes

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