Sight Reading & Rhythm Every Day®, Book 2B Cover Image

Sight Reading & Rhythm Every Day®, Book 2B: Late Elementary Piano Book

$10.95 USD
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Sight Reading & Rhythm Every Day®, Book 2B Cover Image

Sight Reading & Rhythm Every Day®, Book 2B: Late Elementary Piano Book

By Helen Marlais, Kevin Olson

Level: Elementary

Item: 98-FJH1538

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Description
In the Every Day plan for Book 2B, students learn triads and begin to play pieces with both hands together on two staffs. Attention is given to different articulations and dynamics, and students are asked to transpose short pieces to the nearest keys. In addition, students learn to "plan" for note and rhythmic accuracy, correct articulations, and a good sound. Helpful suggestions guide students to think before they play, and not to stop once they have started. Students are also asked to count rhythmic examples out loud and clap, tap, point, snap their fingers, and march. Developing these important skills lays the proper foundation for music making and fosters stellar piano playing.

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Additional Details
Series: The FJH Pianist's Curriculum
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-542-X
ISBN13: 978-1-56939-542-4
UPC: 674398219469
SKU: 98-FJH1538

More about this title

About the Composer: Helen Marlais

Helen Marlais is a pianist, composer, and music educator with deep expertise in piano pedagogy and curriculum development. Her work across multiple levels of instruction reflects a commitment to building strong foundational skills and fostering independent musical thinking in young pianists.

Why we love this

This book treats sight reading and rhythm as active, embodied skills rather than passive exercises. The emphasis on planning before playing and the variety of kinesthetic activities (clapping, tapping, marching) mean students develop genuine musical thinking, not just note-reading mechanics.

What to expect

Purposeful and grounded. These exercises don't feel like busy work; each activity has a clear reason. Students experience the satisfaction of preparing a piece mentally before playing it, and the variety of rhythmic activities keeps the work engaging across different learning styles.

Who it's for

Late elementary piano students ready to integrate both hands on the grand staff and expand their harmonic vocabulary beyond single notes. Teachers seeking a structured daily practice routine that builds both technical accuracy and thoughtful musicianship without requiring supplementary materials.

How to get the most out of it

  • Have students verbalize their plan before touching the keyboard: which hand starts, where the triads sit on the staff, which articulation marks appear. This pause prevents the common late-elementary habit of sight-reading by trial and error.
  • Assign one rhythmic example per practice session for spoken and physical work (counting aloud, clapping, snapping). Separate rhythm from pitch initially so students build confidence in each skill independently.
  • When introducing two-handed pieces, ask students to identify the hand that carries the melody first. This clarifies the musical priority and prevents the common mistake of treating both hands as equally important.

How to use it

Integrate Book 2B into daily practice rituals, assigning one or two pages per week alongside repertoire from your lesson books. The transposition exercises deepen understanding of the keys your students are performing in their recital pieces, making this a natural complement to a concert preparation schedule.

Skills your students will build

  • Triad recognition and voicing on the grand staff
  • Reading two-hand coordination at the late elementary level
  • Articulation differentiation (legato, staccato, and accents)
  • Transposition to related keys
  • Rhythmic accuracy through physical and verbal reinforcement
  • Pre-planning strategies for note and rhythmic accuracy
  • Independence in sight reading without stopping mid-phrase

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