Side By Side By Side Sheet Music Preview

Side By Side By Side: Piano Vocal

As performed by Stephen Sondheim / As performed by Company (Musical)

Item: 35-DS00181909

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00181909

More about this title

About the Artist: Stephen Sondheim

Stephen Sondheim revolutionized musical theater by proving that sophisticated harmony, rhythmic complexity, and intricate lyrical wordplay could coexist with emotional directness. His work as composer and lyricist for shows including Company, Sweeney Todd, and Into the Woods established a new standard for what theater music could accomplish, influencing generations of composers to think more ambitiously about their craft.

For music educators, Sondheim's catalog offers an invaluable resource: his songs demand genuine musicianship from performers while remaining deeply rewarding to sing. His sophisticated use of counterpoint, his rhythmic flexibility, and his commitment to setting words with precision make his music a masterclass in how melody, harmony, and language interact.

Why we love this

This song captures the restless, contradictory longing at the heart of Company with music that mirrors its emotional complexity. Sondheim's harmonic language and the interplay between the vocal line and piano part create something that feels both tender and unsettled, making it a standout choice for singers ready to engage with more sophisticated material.

What to expect

The song pulses with a kind of anxious energy beneath its surface elegance, as if the character is searching for something just beyond reach. It's simultaneously intimate and disconnected, warm and ironic, making it both deeply personal and thematically sophisticated.

Who it's for

Advanced high school singers, college voice students, and adult amateur performers who are ready for material that requires both technical security and emotional maturity. This suits singers comfortable with complex rhythms, conversational phrasing, and the kind of vulnerability that good Sondheim demands.

How to get the most out of it

  • Pay close attention to the harmonic rhythm in the piano part; Sondheim uses unexpected chord changes to undercut surface calm, so the accompanist's clarity serves the emotional arc.
  • The lyric rhythm frequently sits against the beat rather than with it, requiring the singer to commit to the text's natural phrasing even when it complicates the meter.
  • Balance vocal weight with interpretive flexibility; this isn't about projecting volume but rather about coloring words with specificity and allowing silence to carry meaning.
  • Work the relationship between voice and piano as a conversation; neither part is decorative, and the most affecting moments often come from restraint rather than intensity.

How to use it

This works beautifully as a solo in a Broadway or American songbook recital, or as part of a curated Sondheim showcase. It also serves as an excellent teaching piece in voice lessons for students exploring art song repertoire that comes from theater rather than the traditional art song tradition.

Skills your students will build

  • Singing against harmonic rhythm and metric expectations
  • Interpretation of sophisticated lyrics with emotional nuance
  • Reading and executing irregular phrase lengths
  • Collaborating with a pianist on complex rhythmic relationships
  • Understanding how Sondheim uses harmony to create emotional subtext

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