Side By Side (arr. Tom Gentry) Sheet Music Preview

Side By Side (arr. Tom Gentry): TTBB Choral Octavo

By Harry Woods / As performed by Power Play / Arranged by Tom Gentry

Item: 35-DS00472551

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00472551

More about this title

About the Composer: Harry Woods

Harry Woods (1896–1970) was a prolific songwriter and pianist who helped define the Great American Songbook. Working primarily in Tin Pan Alley and Hollywood, Woods composed over 3,000 songs, many of which became standards performed across jazz, pop, and vocal music. His melodic gift and sophisticated harmonies made his work enduringly adaptable to ensemble arrangements, giving directors like Tom Gentry rich material to reimagine for modern choirs.

Woods' output spanned vaudeville, musical theater, and film, where his songs provided emotional anchors for countless productions. Educators value his catalog for its balance of accessibility and musical substance; these songs teach phrasing, jazz sensibility, and harmonic awareness without overwhelming young singers.

Why we love this

Tom Gentry's TTBB setting captures the warmth and nostalgic swing of this standard while keeping the arrangement focused on what makes barbershop and jazz harmony compelling. The flexible voicing options (TB, TTB, TBB, TTBB) mean you can cast it for your actual ensemble rather than forcing a predetermined texture, and the piece rewards attention to blend and intonation in a way that develops singers' ears.

What to expect

Warm, nostalgic, and gently swinging. The harmonies suggest an intimate jazz club or a barbershop quartet celebrating their musicianship without pretension. The piece invites you to settle into its groove and savor the color of well-blended chords.

Who it's for

Men's choirs, male and mixed barbershop groups, and jazz ensembles looking for a standard that sits comfortably in male voices. Directors programming concert pops selections or a jazz-focused set will find this both singable and musically substantial.

How to get the most out of it

  • Balance the melody across sections carefully so that whoever carries the tune in any given phrase remains clearly audible; the jazz harmonies underneath can easily overwhelm it if one part isn't listening.
  • Explore the recorded accompaniment early in rehearsal to understand the swing feel and phrasing before locking the choir into a metronomic approach.
  • Let the text shape your dynamics and articulation rather than imposing uniformity; these standards live in the spaces between notes and words.
  • Assign voice parts strategically to highlight the passage work in upper voices while keeping basses and tenors anchored on roots and fifths.

How to use it

Slot this into a pop or standards set alongside other seasonal or thematic selections; it works equally well as a spring concert opener or as part of a program celebrating American songwriting. The 8-page length makes it manageable to learn without crowding other repertoire off your season.

Skills your students will build

  • Jazz swing feel and rhythmic placement
  • SATB/TTBB blend and balance in extended harmony
  • Reading and executing flexible voicing options based on ensemble size
  • Phrase shaping in popular song contexts
  • Barbershop and diatonic harmony listening skills

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