Sicilienne Op. 78 (Arranged for Violin [Viola] and Piano) Cover Image

Sicilienne Op. 78 (Arranged for Violin [Viola] and Piano): Violin & Piano

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Sicilienne Op. 78 (Arranged for Violin [Viola] and Piano) Cover Image

Sicilienne Op. 78 (Arranged for Violin [Viola] and Piano): Violin & Piano

By Gabriel Fauré / arr. Roy Howat / ed. Roy Howat

Item: 98-EP7386

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-57-708440-2
ISBN13: 979-0-5770-8440-4
SKU: 98-EP7386

More about this title

About the Composer: Gabriel Fauré

Gabriel Fauré stands among the most refined melodists in the classical tradition. His output ranges from intimate chamber works to large-scale orchestral and operatic scores, yet it is his gift for pure, elegant melody that defines his legacy in music education and concert life.

Why we love this

Fauré's harmonic language feels modern without being forbidding, and the Sicilienne sits at the perfect intersection of technical accessibility and musical sophistication. The arrangement opens up this beloved salon piece to string players while preserving the melodic grace that makes it endure across generations.

What to expect

A gentle dance in the Sicilian tradition, unhurried and introspective. The writing encourages a singing tone and natural phrasing, with harmonic undercurrents that reward careful listening and sensitive collaboration with the pianist.

Who it's for

Violin students with solid intermediate technique who are ready to explore the Romantic salon repertoire and develop musicality in a piece built on elegance rather than display. Teachers seeking graceful material suitable for student recitals, competition programs, or simply to deepen a player's ear for phrasing and voice leading.

How to get the most out of it

  • Shape the opening phrase with a gentle arch; resist the pull to rush the opening bar, which sets the entire character of the movement.
  • Balance the accompaniment texture so the piano's flowing sixths remain transparent and supportive rather than opaque.
  • Lean into the sweetness of the lyrical passages without sacrificing intonation under the slower harmonic shifts.
  • Use the brief moments of rhythmic rest to breathe and reset your position before the line develops.

How to use it

Pair this with other French salon works for a recital section, or program it alongside Baroque or early Classical pieces to show the evolution of melodic thinking. It also works beautifully as a bridge between more structured studies and full-length Romantic concertos.

Skills your students will build

  • Sustaining long lyrical lines with consistent tone and vibrato control
  • Executing smooth position shifts within a single phrase
  • Responding to and balancing with sensitive piano accompaniment
  • Shaping rubato naturally within a stable harmonic framework
  • Intonation refinement in slower harmonic movement

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