Shylock: Incidental Music, Op. 57: No. 5, Nocturne Cover Image

Shylock: Incidental Music, Op. 57: No. 5, Nocturne: String Orchestra, Solo Strings with Ensemble, Conductor Score

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Shylock: Incidental Music, Op. 57: No. 5, Nocturne Cover Image

Shylock: Incidental Music, Op. 57: No. 5, Nocturne: String Orchestra, Solo Strings with Ensemble, Conductor Score

By Gabriel-Urbain Faure

Item: 36-A103301

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Description
In 1889, GABRIEL FAURÉ was asked to compose incidental music for a new play titled SHYLOCK to be presented at the Théâtre de l'Odéon in Paris, an adaptation of Edmond Haraucourt of Shakespeare's THE MERCHANT OF VENICE. Following the December 17, 1889, opening night, the play and music continued for a full 56 performances, an impressive number for that theater and a credit to Fauré's musical contribution. Following the use of the incidental music, he reduced the number of pieces from nine to six, making a suite. The highlight of both the incidental music and the suite is NOCTURNE. Charles Koechlin wrote of it: "As for the Nocturne for strings alone, it is impossible to place this music, so profound and universally human is it. The intense tenderness of night here revealed was one of the most beautiful of Faure's inspirations." Reprint edition. String count of 8-8-5-5-5 included in the set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563082-3
ISBN13: 979-8-89-563082-2
UPC: 659859224077
SKU: 36-A103301
Instrumentation: String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Gabriel-Urbain Faure

Gabriel Fauré (1845, 1924) shaped French music through his directorship of the Paris Conservatoire and his distinctive harmonic language that bridged Romantic and modern sensibilities. His gift for intimate expression made him a natural choice for theater work, and his incidental music demonstrates how concert-hall sophistication could serve dramatic purpose without overshadowing the stage.

Why we love this

Fauré's Nocturne stands as one of the most elegant solutions to the challenge of underscore music that demands serious listening. The writing for strings alone gives you clarity without orchestral clutter, allowing young ensembles to focus on line, phrase, and the kind of expressive restraint that separates mature musicianship from mere note-reading.

What to expect

A quiet conversation held under starlight. The Nocturne wraps you in contemplation, moving between intimate solo gestures and supportive ensemble textures that create space rather than fill it. Fauré's restraint speaks louder than rhetoric.

Who it's for

Intermediate to advanced string orchestras seeking repertoire that teaches sophisticated phrasing and harmonic listening without excessive technical demands. Directors programming concert works that balance accessibility with genuine artistic depth.

How to get the most out of it

  • Shape each phrase as if the solo sections are singing a text; the conversation between soloists and ensemble should feel like genuine dialogue rather than exchange.
  • Attend to the harmonic color by balancing vibrato across all voices; too much darkens Fauré's transparent textures, while too little loses the piece's emotional weight.
  • Take tempo changes gradually and without obvious gesture; this music flows better when transitions feel inevitable rather than conducted.
  • Let silence breathe between sections so the quiet passages feel reflective, not rushed or tentative.

How to use it

This works beautifully as a concert opener that settles the audience into attentive listening, or as a bridge between heavier works where its reflective quality offers necessary relief. It also pairs well with other French salon music or lighter romantic repertoire where sophistication matters more than virtuosity.

Skills your students will build

  • Sustaining long-line phrasing across slow harmonic movement
  • Balance between solo and ensemble voices in transparent textures
  • Responsive vibrato control for dynamic range without volume change
  • Harmonic listening and intonation adjustment in chromatic voice-leading
  • Reading and interpreting sparse notation with musical intelligence

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