Shout, Stomp, and Swing! Cover Image

Shout, Stomp, and Swing!: Jazz Ensemble Conductor Score

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Shout, Stomp, and Swing! Cover Image

Shout, Stomp, and Swing!: Jazz Ensemble Conductor Score

By Les Sabina

Grade: 1 (Easy)

Item: 00-41111S

$7.00
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Description
Check out this swing chart played around 160 BPM. The melody is handled initially by alto and trumpet 1, solos for the alto and trumpet are written, and the trumpet 1 range it to written E-flat top space. The ideal swing chart. (3:07) This title is available in MakeMusic Cloud.

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Sample Audio
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Sample Video
Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 16
UPC: 038081465364
SKU: 00-41111S

More about this title

About the Composer: Les Sabina

Les Sabina

Les Sabina earned degrees from the University of Toronto, University of Windsor, University of Miami, and Michigan State University. He serves as professor of music and chair of the Department of Visual and Performing Arts at St. Bonaventure University in upstate New York.

As a saxophonist, Sabina has shared the stage with jazz luminaries including Dizzy Gillespie, Joe Williams, Della Reese, and the Manhattan Transfer. He performs regularly with the Buffalo Philharmonic Orchestra and the BPO Jazz All-Stars, and has written a monthly jazz transcription column for Jazz UK Journal.

Why we love this

This chart strikes the rare balance of being genuinely playable for first-year jazz ensembles while sounding completely professional. The written solos give your students concrete models to learn from rather than leaving them adrift, and the straightforward arrangement lets your section players focus on tone and swing feel without drowning in complexity.

What to expect

Bright, energetic, and built on the bones of classic swing. The groove feels authentic without overwhelming young players, and the 160 BPM clip keeps the ensemble moving forward with genuine momentum.

Who it's for

First-year jazz ensemble students who need a confidence-building chart with real swing energy. Directors launching a new jazz program or bolstering early-level ensemble repertoire will find this exactly at the right difficulty level.

How to get the most out of it

  • Lock in the tempo at 160 BPM from the first rehearsal. A metronomic pulse matters more here than in classical charts; use a click track in early rehearsals so students internalize the swing eighth-note feel.
  • Balance the alto and trumpet 1 melody line carefully during the head. These voices need to blend as a single melodic unit before solos begin.
  • Address the trumpet 1 high passages with precision during section rehearsals. The written E-flat top space demands confidence; work through the passage slowly before bringing it up to tempo.
  • Feature your section players' solos generously. These written solos are gifts for building confidence in young improvisers; treat them as spotlight moments in rehearsal and performance.

How to use it

Program this as an opener on a jazz festival set or concert featuring your developing ensemble. Its accessible swing feel and clear structure make it ideal for demonstrating musicianship growth early in the school year, or use it to anchor a pre-competition warm-up set that builds ensemble confidence.

Skills your students will build

  • Swing eighth-note feel and interpretation at medium tempo
  • Written solo interpretation with authentic phrasing
  • Trumpet high register accuracy (E-flat top space)
  • Ensemble blend in trumpet-alto melody lines
  • Listening and responding to sectional entries

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