Short Cuts for Beginning Band -- #3 Cover Image

Short Cuts for Beginning Band -- #3: Concert Band Conductor Score & Parts

$61.00 USD
Sale price  $61.00 USD Regular price 
Skip to product information
Short Cuts for Beginning Band -- #3 Cover Image

Short Cuts for Beginning Band -- #3: Concert Band Conductor Score & Parts

Featuring: Gimme Some Lovin / It Don't Mean a Thing (If It Ain't Got That Swing) / Theme from Ice Castles (Through the Eyes of Love) / Any Way You Want It

Arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-42155

$61.00
Shipped

One moment…

Description
Included in this four-pack for beginners is Gimme Some Lovin', to teach divisi multi-mallet percussion, It Don't Mean a Thing, reinforcing diverse articulations, the Theme from Ice Castles, cultivating legato technique and balancing dynamics, and Any Way You Want It, for instruction on rock style and repeated-note articulations. Great fun and great teaching! (4:30)

Short Cuts for Beginning Band -- #3: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 284
UPC: 038081471426
SKU: 00-42155

More about this title

About the Arranger: Michael Story

Michael Story is a prolific composer and arranger whose work spans concert band, jazz ensemble, and popular music settings. He has built a career creating accessible, engaging arrangements that maintain musical integrity while meeting the pedagogical needs of developing musicians at all levels.

Why we love this

Story's arrangements in this collection teach specific technical skills without sacrificing musicality or fun. Each piece targets a distinct pedagogical objective, so your band develops articulation control, multi-mallet technique, and stylistic understanding across the same rehearsal cycle rather than in isolation.

What to expect

These four pieces bring genuine pop and rock energy into the band room while maintaining clarity and balance at a beginner level. The familiar melodies ground students' learning, and the variety in style keeps rehearsals fresh and engaging without overwhelming young musicians.

Who it's for

Beginning band directors working with Grade 1 ensembles who want authentic repertoire that teaches real techniques, not just simplified transcriptions. Students in their first or second year of band will find these arrangements accessible enough to achieve success quickly while developing skills they'll use in more complex literature.

How to get the most out of it

  • In Gimme Some Lovin', work mallets separately before combining parts; assign experienced percussionists to lead divisi sections so less confident players can lock into the motion and spacing.
  • For It Don't Mean a Thing, have brass and woodwinds rehearse their articulation patterns independently first, then layer them together to hear how contrast creates the swing feel.
  • Balance the transparent voicing in Theme from Ice Castles by rehearsing with a conductor's score in hand; watch for dynamics that recede too far into the background.
  • Let Any Way You Want It drill the repeated-note endurance needed for rock style; take short breaks between sections to prevent tongue fatigue.

How to use it

Program this collection across a concert when you want to demonstrate student growth in different technical areas; the four pieces show range and musicianship to an audience familiar with pop and rock, making them ideal for a winter or spring concert that includes more traditional concert band repertoire. You can also distribute individual pieces across the year, using each one to anchor a month's worth of sectional focus on the targeted skill.

Skills your students will build

  • Multi-mallet percussion technique and divisi coordination
  • Articulation control across brass and woodwind sections
  • Legato phrasing and dynamic balance in sustained passages
  • Rock style articulation and repeated-note rhythmic accuracy
  • Listening and blending across mixed instrumentation

You May Also Like