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Shop Around: SSA Choral Octavo

By Berry Gordy / By Smokey Robinson / As performed by Captain Tennille / Arranged by Paul Langford

Item: 35-DS00168930

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00168930

More about this title

About the Composer: Berry Gordy

Berry Gordy founded Motown Records in 1959 and became one of the most influential figures in American popular music. His vision transformed Detroit into a recording powerhouse, nurturing songwriters, producers, and artists who shaped the sound of rock, soul, and R&B for generations. As a composer and producer, Gordy's catalog demonstrates masterful pop sensibility paired with infectious grooves that remain classroom favorites.

Gordy's songwriting often paired memorable melodies with socially conscious or playful lyrics, qualities that make his work particularly effective for choral arrangements. His understanding of vocal harmony, developed through decades of Motown hits, gives arrangers like Paul Langford rich material to expand for ensemble performance.

Why we love this

Paul Langford's arrangement captures the infectious optimism of the original while giving your SSA singers a genuine pop classic that feels contemporary, not dated. The writing sits comfortably across multiple voice types and maintains the track's narrative charm, making it equally effective as a concert opener or contest selection that audiences genuinely enjoy.

What to expect

Upbeat and playful, with the kind of rhythmic confidence that makes singers smile while they're performing. The arrangement captures the warmth and wit of the original recording while keeping the energy high and the mood light.

Who it's for

Choirs seeking accessible pop repertoire that engages audiences and singers alike. Directors building concerts with contemporary flavor will find this especially useful for mixed-level ensembles where musicianship and fun can coexist.

How to get the most out of it

  • Find the groove in the rhythm section before worrying about pitch precision. Once the pulse locks, the harmonic blend follows naturally.
  • Balance the melody against supporting voices carefully; this arrangement likely includes counter lines that should complement rather than compete with the main tune.
  • Work the text clearly. The lyrics drive the humor and charm of this piece, so articulation and diction deserve rehearsal time equal to the music.
  • Consider the recorded accompaniment as a stylistic reference point. Use it to calibrate tempo and feel, but let your ensemble's personality shape the final interpretation.

How to use it

Place this early in a concert to establish an approachable, engaging tone with your audience. It pairs well alongside other Motown standards or contemporary pop selections, and works equally well as a novelty number in a more formal recital context.

Skills your students will build

  • Rhythmic accuracy in syncopated pop idioms
  • Sustaining musical energy across longer phrases
  • Diction and text delivery in contemporary vernacular
  • Balancing individual voice lines within four-part writing

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