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Shop Around: SATB Choral Octavo

By Berry Gordy / By Smokey Robinson / As performed by Captain Tennille / Arranged by Paul Langford

Item: 35-DS00168929

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00168929

More about this title

About the Composer: Berry Gordy

Berry Gordy founded Motown Records in Detroit in 1959, fundamentally reshaping American popular music and launching the careers of countless artists who would define soul, R&B, and pop for generations. His songwriting and production vision established a signature sound that combined infectious rhythms, memorable melodies, and universal themes of love and human connection. In the classroom, Gordy's catalog represents some of the most accessible and engaging popular music available to choral directors, offering students a direct connection to a pivotal moment in music history when African American artistry reshaped mainstream culture.

Why we love this

This arrangement brings genuine joy to rehearsals. The groovy Motown foundation stays intact while Paul Langford's SATB setting gives every voice a moment to shine, and the novelty factor means students approach it with enthusiasm rather than the usual concert-music reserve. It's the kind of piece that makes choirs remember why they love singing together.

What to expect

Infectious and cool. There's swagger built into the original song, and this arrangement preserves that personality while giving the SATB ensemble clear melodic and harmonic roles. It lands somewhere between a novelty number and a genuinely satisfying choral performance.

Who it's for

Choirs seeking contemporary repertoire that actually connects with singers and audiences. This works equally well for concert programming, pops concerts, community performances, or as an energizer in a longer set.

How to get the most out of it

  • Nail the rhythmic pocket early. This tune lives and dies on the pocket, so lock the rhythm section into a steady backbeat and let the voices lock into that foundation. Don't let anyone rush the syncopation.
  • Highlight the call-and-response elements between sections. SATB arrangements of Motown material often split the big hooks across multiple voice parts. Make sure each section knows when they're singing the money phrase and owns it.
  • Keep the energy buoyant and conversational, not strained. The text is casual and playful. If your singers sound like they're reaching or performing "seriously," you've lost the vibe.

How to use it

Drop this into a pops concert or spring concert to shift the energy and remind the audience (and your singers) that choral music can be fun. It also works as a strong closer on a longer program because it leaves people smiling and humming.

Skills your students will build

  • Singing over a strong rhythmic groove without rushing or losing independence
  • Balancing clarity and blend when multiple voice parts carry melodic material simultaneously
  • Interpreting pop and R&B style with appropriate articulation and phrasing
  • Maintaining precise rhythmic placement when sections trade material back and forth

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