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Shiny Stockings: Choral Instrumental Pak

As performed by Count Basie / As performed by Ella Fitzgerald / Arranged by Paris Rutherford

Item: 35-PK00380714

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Description
Showcase your vocal jazz group with this accessible setting of the Ella Fitzgerald/Count Basie standard. Swing style, jazz harmonies, group scat and solo improvisation make this a great selection for developing style and technique.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00380714

More about this title

About the Artist: Count Basie

Count Basie led one of the most influential big bands in jazz history, establishing a sound defined by propulsive rhythm, economical piano playing, and space for soloists to shine. His orchestra became a training ground for generations of jazz musicians and a proving ground for composers and arrangers who shaped the sound of American jazz from the 1930s onward.

Why we love this

This arrangement captures what makes the Basie/Fitzgerald partnership so enduring: a groove so solid your singers will lock in immediately, and enough harmonic sophistication to feel genuinely jazzy without overwhelming a developing ensemble. The scat section gives your soloists a genuine improvisation moment while the written parts ensure the group maintains cohesion, making it rewarding for both feature singers and chorus.

What to expect

This is pure swing energy with elegant sophistication underneath. The groove propels everything forward while the jazz harmonies and scat writing create moments of playful complexity that feel fresh and alive.

Who it's for

This works for intermediate to advanced jazz choirs and vocal ensembles with at least basic jazz vocabulary and a strong rhythm section. It's equally valuable in a mixed vocal jazz program or a show choir looking to add authentic big band swing to their book.

How to get the most out of it

  • Lock the rhythm section (bass and drums especially) into the swing eighth-note feel from the first rehearsal. Basie's sound depends on this pocket.
  • Prioritize the scat passages as improvisation opportunities rather than fully scripted moments. Give your soloists permission to play around the changes while keeping them grounded in the form.
  • Balance the ensemble voicings so jazz harmonies don't blur together. Clear articulation on consonant endings makes the chords read.
  • Use rubato sparingly around the melody but keep time rock solid in the groove sections. This is where the standard repertoire style comes through.

How to use it

Slot this into a jazz concert as a crowd-pleasing centerpiece that demonstrates your ensemble's stylistic range and solo talent. It also pairs naturally with other classic standards and gives singers confidence when tackling the jazz repertoire.

Skills your students will build

  • Swing eighth-note phrasing and subdivision
  • Reading and executing jazz harmonies
  • Group and solo scat improvisation within a harmonic framework
  • Balancing written ensemble parts with solo space
  • Interpretation of jazz articulation and dynamics

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