Shine On Me Sheet Music Preview

Shine On Me: 2-Part Choral Octavo

Arranged by Rollo Dilworth

Item: 35-DS00315628

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00315628

More about this title

About the Arranger: Rollo Dilworth

Rollo Dilworth is a composer and arranger whose work centers on the African American choral tradition and spiritual music. His arrangements are widely performed in schools, churches, and concert halls, valued for their musicality, accessibility, and respect for the source material.

Why we love this

Dilworth's arrangement opens up this spiritual to emerging choirs without sacrificing authenticity or musical integrity. The two-part writing creates independence between voices while remaining singable across mixed ability levels, and the gospel idiom feels genuinely earned rather than superficially applied.

What to expect

Warmth meets determination. The spiritual carries an inherent resilience, with steady harmonic motion supporting a melody that sits comfortably in the voice while never becoming dull. There is joy here, grounded and genuine rather than forced.

Who it's for

Directors building a gospel repertoire for secular choirs or seeking culturally informed concert material that reaches students emotionally. This works equally well for spring concerts, festival submissions, or as part of a unit exploring American spiritual traditions.

How to get the most out of it

  • Establish the groove in rehearsal before drilling harmonic content; singers need to feel the pulse and swing naturally before worrying about blend.
  • Record a sectional on your phone and send it to the singers who struggle with their part; gospel music lives in the ear as much as on the page.
  • Let the dynamic shape breathe organically rather than mechanically; these spirituals gain power through nuance and intentional laying back, not constant crescendos.
  • Work dynamics and articulation after the notes are secure; gospel phrasing responds better to musical conversation than isolated technique work.

How to use it

Place this in your spring concert to balance repertoire with substance and accessibility; it programs well alongside art songs or traditional spirituals, or stand alone as part of a thematic set. The piece also makes an excellent festival entry for choirs developing their gospel craft.

Skills your students will build

  • Gospel phrasing and swing rhythms specific to the spiritual idiom
  • Balancing harmonic independence with choral blend in two-part voicing
  • Dynamic control and expressive shaping without over-singing
  • Part security through active listening to a supporting line rather than a unison melody

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