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Shine: SATB Choral Octavo

As performed by Take That / Arranged by Philip Lawson

Item: 35-DS00429517

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00429517

More about this title

About the Artist: Take That

Take That emerged from the British pop landscape in the 1990s as one of the most successful boy bands of their era. Known for their polished production, strong vocal harmonies, and infectious melodies, the group became synonymous with radio-friendly pop that showcased genuine musicianship alongside commercial appeal.

For choral arrangers and educators, Take That's catalog offers accessible yet musically rewarding material. Their songs typically feature strong melodic hooks and harmonic structures that translate well to vocal ensemble settings, making them ideal choices for building contemporary repertoire that engages singers and audiences alike.

Why we love this

Arranging a 1990s pop anthem for SATB unlocks something special: your singers recognize it, they already know how to feel in it, and they're immediately invested. Lawson's adaptation respects what made the original shine while creating genuine four-part counterpoint that keeps all voice parts engaged rather than relegating anyone to filler harmony.

What to expect

Luminous and confident. There's an inherent optimism in this arrangement that matches the title, with lush harmonic textures that feel both modern and singerly. The piece invites your choir to deliver something that feels current and vital without demanding virtuosity.

Who it's for

Choirs seeking contemporary repertoire that bridges the gap between art song and popular music will find this arrangement accessible at the octavo level. It works equally well for concert choirs wanting to program something current and recognizable, or for directors building a setlist that appeals to broader audiences without sacrificing musicianship.

How to get the most out of it

  • Establish the groove early in rehearsal. Even though this is notated choral music, the rhythmic pocket borrowed from the pop original carries the song. Lock that pulse before worrying about blend.
  • Find the lift in the sopranos' line during the main section. This melody wants to soar, and your sopranos need permission to sing with brightness and forward motion without sounding shrill.
  • Balance the inner voices carefully in spots where they're moving independently. Tenors and altos often carry counter-melodies or harmonic color that disappears if you're only listening to the outside edges of the chord.

How to use it

Program this as a centerpiece for concerts aimed at family audiences or spring pops shows where contemporary music matters. It pairs naturally with other '90s and 2000s pop arrangements, or it can stand alone as a striking contrast on programs balancing classical and modern repertoire.

Skills your students will build

  • Balancing independent melodic lines across four voice parts
  • Maintaining rhythmic precision in pop-influenced harmonic settings
  • Singing contemporary repertoire with musicality and maturity
  • Blending modern harmonic language into traditional SATB voicing

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