Shepherd's Hey [British Folk Music Settings, No. 16] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 16]: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

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Shepherd's Hey [British Folk Music Settings, No. 16] Cover Image

Shepherd's Hey [British Folk Music Settings, No. 16]: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

By Percy Aldridge Grainger

Item: 36-A674990

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Description
Percy Grainger (1882-1961) began work on SHEPHERD'S HEY in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris Dancers in 1906, J. Mason. Grainger arranged several versions as British Folk-Music Settings, including this No. 16. Instrumentation: 2+1(Picc).2.2.2: 4.3(3rd opt.)3.1: Timp.Perc(3-7): Hp(1-2).Pno(opt.): Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
UPC: 604634109414
SKU: 36-A674990
Instrumentation: 2+1(Picc).2.2.2: 4.3(3rd opt.)3.1: Timp.Perc(3-7): Hp(1-2).Pno(opt.): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Percy Aldridge Grainger

Percy Aldridge Grainger (1882-1961) was an Australian-born composer and pianist who became a champion of folk music preservation and innovative orchestration. His curiosity about traditional melodies led him to collaborate with Cecil Sharp and other collectors, resulting in his British Folk-Music Settings series, which transformed simple folk tunes into richly textured concert works while respecting their essential character.

Grainger's approach to arrangement was radically different from his contemporaries. Rather than prettify folk material, he sought to honor the music's origins while showcasing the full expressive range of the modern orchestra. His detailed score annotations and flexible instrumentation made his works accessible to ensembles of varying sizes, a philosophy that remains central to music education today.

Why we love this

Grainger's setting captures the rollicking energy of an English Morris Dance without sacrificing sophistication or clarity. The flexible instrumentation (optional third trumpet, optional piano, variable string sections) means you can perform this authentically whether you have 40 players or 70, making it genuinely practical for most school and community orchestras. What sets this apart from generic folk arrangements is how Grainger layers the melody across different instrumental choirs, creating dialogue and texture that keeps performers engaged while the tune itself remains joyfully accessible to audiences.

What to expect

Infectious and unforced, with the charm of a village green celebration translated into orchestral splendor. The melody dances across the ensemble with genuine lightness, driven by rhythmic propulsion that feels organic rather than imposed. This is music that makes both performers and audiences smile without sacrificing musical substance.

Who it's for

Orchestra and concert band directors seeking accessible folk-based repertoire that still demands musical maturity and offers rich orchestration lessons. Players who want to engage with early 20th-century compositional thinking around folk material and experience how a master orchestrator respects tradition while expanding its possibilities.

How to get the most out of it

  • Highlight the rhythmic vitality of the Morris Dance idiom through articulate, sprightly attacks in the wind sections; this is festive music that thrives on rhythmic clarity rather than legato smoothness.
  • Balance the harp and optional piano carefully in sections where they support harmonic underpinning, ensuring they enhance rather than overshadow the string and wind dialogue.
  • Attend to Grainger's orchestration shifts as structural markers; each new instrumental combination signals a new phrase or section, so clarity in these transitions will help audiences follow the journey.
  • Adjust tempo relationships between sections with care; Grainger's folk-inspired writing often implies slight flexibility, but maintain rhythmic security within each section.

How to use it

Pair this with other Grainger folk settings or with contemporary folk-inspired works to create a thematic concert exploring how different composers approach traditional melody. Its moderate length and joyful character make it ideal as a concert opener or as a palate cleanser between weightier romantic-era works. Perfect for a family concert or community performance where you want to celebrate both folk tradition and orchestral color.

Skills your students will build

  • Performing in clearly articulated rhythmic contexts while maintaining ensemble precision
  • Understanding orchestration through layered instrumental dialogue and color contrast
  • Recognizing folk melody preservation within sophisticated harmonic and textural settings
  • Coordinating flexible instrumentation and making real-time adjustments based on available players
  • Balancing rhythmic vitality with musicality in non-legato contexts

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