She Will Be Loved (arr. Deke Sharon) Sheet Music Preview

She Will Be Loved (arr. Deke Sharon): SSAATBB Choral Octavo

As performed by Maroon 5 / As performed by Adam Levine / As performed by James Valentine / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00299491

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00299491

More about this title

About the Artist: Maroon 5

Maroon 5 emerged in the early 2000s as a pop band that bridged the gap between contemporary production and musicianship rooted in pop-soul traditions. The group's accessible hooks and vocal-driven arrangements have made their catalog a staple of secular choir repertoire, particularly for directors seeking to engage students with music from their own cultural moment.

Adam Levine's distinctive vocal phrasing and the band's emphasis on vocal harmonies create natural opportunities for arrangers to explore pop idiom through choral writing. Deke Sharon, one of the most prolific contemporary choral arrangers, brings his a cappella expertise to this work, translating the song's emotional directness into voicings that work for younger singers and established choirs alike.

Why we love this

Deke Sharon's arrangement captures the song's emotional sincerity without sacrificing the contemporary sound that makes it resonate with students. The six-part voicing allows directors to double parts or adapt for smaller groups, and the straightforward harmonic vocabulary sits comfortably within the tessituras of developing singers while maintaining genuine sophistication in the voice leading.

What to expect

The piece unfolds with quiet devotion, building from introspective verses into moments of affirmation. There's an earnest vulnerability in the harmonic movement, grounded in straightforward progressions that let the lyrics carry emotional weight rather than competing with ornamental arranging.

Who it's for

This arrangement works for treble and mixed choirs spanning high school through adult community ensembles. It appeals to both performance-focused groups seeking contemporary repertoire and educational settings where students benefit from arranging that honors the original while building their own interpretive voice.

How to get the most out of it

  • Shape the song's arc by varying the dynamic intensity across sections rather than holding a single volume throughout. The melody's emotional weight requires space to breathe in verses and builds most effectively when energy accumulates gradually toward climactic moments.
  • Balance the bass line distinctly; it carries harmonic definition that pure a cappella arrangements depend on for clarity. A slightly forward bass against well-blended upper voices prevents the sonority from flattening.
  • Attend closely to the rhythm section interplay. Even without instrumental accompaniment, tight rhythmic unison between parts creates the propulsive feel the original recording achieves, particularly in transitions between sections.

How to use it

Position this in a contemporary music set alongside other arranged pop selections to demonstrate how popular songs translate into choral contexts. Its 14-page length and moderate difficulty make it an excellent mid-season addition when your ensemble has developed solid blend and intonation fundamentals.

Skills your students will build

  • Balancing sixpart textures with independent voice lines
  • Sustaining vocal line integrity in a cappella contexts
  • Interpreting contemporary material through traditional choral discipline
  • Shaping phrasing across longer melodic statements without harmonic anchor
  • Coordinate rhythmic precision as a collective harmonic instrument

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