She Used To Be Mine (from Waitress The Musical) Sheet Music Preview

She Used To Be Mine (from Waitress The Musical): Piano Vocal

As performed by Sara Bareilles

Item: 35-DS00353647

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00353647

More about this title

About the Artist: Sara Bareilles

Sara Bareilles is a singer-songwriter and composer whose work spans pop, folk, and musical theatre. She wrote and starred in Waitress, the Broadway musical that premiered in 2016, bringing her distinctive sensibility to the stage. Her songs balance introspection with accessibility, making them valuable models for contemporary vocal music study.

As both performer and composer, Bareilles understands the demands on singers in modern musical theatre. Her writing emphasizes emotional authenticity over vocal pyrotechnics, creating pieces that reward genuine interpretation and clear storytelling.

Why we love this

This is the kind of song that teaches singers how to sustain emotional truth across a longer form. The melody sits naturally in the voice while demanding real musicality and control; there's nowhere to hide behind technique alone. It gives students a contemporary Broadway vehicle that connects to music they actually listen to, which matters for engagement and buy-in.

What to expect

A moment of clarity and self-recognition. The narrator reflects on who she was before life reshaped her, finding strength in that memory while acknowledging change. The song feels intimate and honest, as though shared in a quiet moment rather than broadcast from a stage.

Who it's for

Singers exploring contemporary musical theatre repertoire, whether for auditions, recitals, or concert programming. This arrangement works equally well in a solo recital context or as part of a Broadway-focused curriculum. Voice students benefit from the song's directness and emotional focus.

How to get the most out of it

  • The accompaniment patterns shift subtly throughout. Practice hands separately first, then layer in the vocal line to ensure the piano's rhythmic pulse supports rather than competes with your phrasing.
  • Breathe strategically at phrase breaks, not necessarily where the notation suggests. Mark your breaths during early rehearsals and stick with them consistently.
  • Resist the urge to oversell vulnerable moments. The song's strength lies in understatement; let the lyric content carry the emotion rather than pushing for a bigger sound.
  • Notice where the piano doubles the vocal line versus where it moves independently. These textural shifts mirror the narrative, so honor them in your interpretation.

How to use it

Pair this with other contemporary musical theatre selections to create a program that speaks to where your singers live musically. It works beautifully in a solo recital alongside classical or jazz standards, proving that strong artistry transcends genre. Consider it for spring concert programming when your students have built sufficient musical maturity.

Skills your students will build

  • Sustaining long phrases while maintaining dynamic control
  • Coordinating vocal phrasing with accompaniment patterns
  • Navigating contemporary harmonic language and chord progressions
  • Interpreting song narrative through subtext rather than melodic exaggeration
  • Reading and performing mixed rhythmic figures in pop and contemporary styles

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