She's Like the Swallow: SSA Choral Octavo
Arr. Carl Strommen
Item: 00-PO-0004617
Minimum order quantity: 20 copies
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About the Arranger: Carl Strommen

Carl Strommen's arrangements and compositions appear regularly in concert halls, on television, and in film across North America and internationally. His work spans band, orchestra, jazz ensemble, and vocal music, earning him recognition as one of today's most performed composer-arrangers. He has received the ASCAP Standard Writers Award annually throughout his career, a testament to the consistent quality and breadth of his output.
Strommen holds a degree from City College of New York and serves as an adjunct professor of orchestration and composition at C.W. Post Campus of Long Island University. Beyond the classroom, he remains in high demand as a clinician and commissioned composer. He maintains homes on Long Island and in the Denver-Boulder area, where he spends significant time with family.
Why we love this
Strommen strips away unnecessary complexity and lets the melody itself carry the weight, a rare gift in folk song arrangement. The SSA voicing opens this Newfoundland love song to treble ensembles while maintaining the emotional depth that makes the tune endure, and the writing sits naturally for singers at all levels. Your choir will sound polished and intentional from rehearsal one.
What to expect
Intimate and reflective, with the simplicity of a song passed down through generations. The arrangement honors the melody's plaintive beauty while creating rich harmonic support that deepens the emotional resonance without overwhelming the fundamental sadness of a love song steeped in longing.
Who it's for
SSA choirs looking for authentic folk material that respects both the tradition and the singers performing it. This works equally well for high school treble ensembles, college women's choirs, and community groups seeking repertoire with genuine musical and cultural substance.
How to get the most out of it
- Shape the melodic line with long phrases rather than breaking at bar lines; the tune's arc matters more than rhythmic regularity.
- Balance the inner voices so they support the melody without competing; this is conversational writing, not vertical harmony.
- Let the text inform your tempo; Newfoundland folk songs benefit from a pace that allows singers to breathe naturally with the story.
- Mark dynamic shifts subtly; Strommen's restraint is the arrangement's strength, so resist the urge to over-interpret or embellish.
How to use it
Pair this with other Strommen arrangements or place it alongside contemporary settings of traditional material to create a thoughtful concert statement about folk heritage. The 8-page score makes it manageable for festivals and competitions where accessible, high-quality repertoire signals musicianship and integrity.
Skills your students will build
- Sustaining long phrases without excessive breath breaks
- Blending treble voices while maintaining clarity in inner parts
- Singing with appropriate text expression for narrative and emotional content
- Understanding how folk melody informs harmonic pacing and rubato