She's Kinda Hot Cover Image

She's Kinda Hot: Concert Band Conductor Score

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She's Kinda Hot Cover Image

She's Kinda Hot: Concert Band Conductor Score

As Performed by 5 Seconds of Summer

Words and music by John Feldmann, Michael Clifford, Ashton Irwin, Benji Madden, and Joel Madden / arr. Victor López

Grade: 2 (Easy)

Item: 00-44900S

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Description
Punk rock is hot again! Here's another hot song from 5 Seconds of Summer, an international sensation from Australia. It's laid back and comfortable, featuring a compelling bass line throughout the ensemble with a captivating melody. The repetitive nature makes it a snap to prepare! (2:15)

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 20
UPC: 038081518732
SKU: 00-44900S

More about this title

About the Composer: John Feldmann

John Feldmann is a prolific songwriter and producer who has shaped the sound of modern pop-punk and alternative rock. His work spans collaborations with 5 Seconds of Summer, All Time Low, The Used, and countless other acts, earning him recognition as one of the most successful producers in the genre.

Why we love this

Victor López's arrangement captures the infectious energy of the original without losing the laid-back groove that makes this song so appealing. The repetitive structure and straightforward harmonic language mean your band can lock into the feel quickly, leaving rehearsal time for polishing dynamics and articulation rather than untangling complex notation.

What to expect

Cool and confident without trying too hard. The piece settles into a comfortable groove anchored by that compelling bass line, with a melody that sticks with listeners long after the final chord. It's the sound of a band having fun with rock repertoire.

Who it's for

This arrangement works perfectly for Grade 2 bands looking to program contemporary music that engages student musicians and audiences alike. The accessible difficulty level means developing players can participate meaningfully without requiring advanced technical facility.

How to get the most out of it

  • Keep the bass line locked in throughout; it's the heartbeat of the arrangement and drives the entire groove.
  • Lean into the rock articulation: short, punchy attacks on accented passages contrast beautifully with the smoother phrasing on the melody.
  • Let the ensemble breathe with the song's natural phrasing rather than cutting phrases short; the laid-back quality depends on space and restraint.

How to use it

Pair this with other pop and rock selections to show the full range of concert band literature, or use it as an opener to establish an energetic, contemporary vibe for your concert. At just over two minutes, it's an efficient way to showcase your ensemble's versatility.

Skills your students will build

  • Maintaining steady groove and feel in a rock/pop idiom
  • Balancing rhythmic precision with musical relaxation
  • Executing rock articulation and style authentically
  • Responding to and reinforcing a prominent bass line

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