She'll Be Comin' 'Round the Mountain Cover Image

She'll Be Comin' 'Round the Mountain: Piano Trio (1 Piano, 6 Hands) Sheet

$3.50 USD
Sale price  $3.50 USD Regular price 
Skip to product information
She'll Be Comin' 'Round the Mountain Cover Image

She'll Be Comin' 'Round the Mountain: Piano Trio (1 Piano, 6 Hands) Sheet

Traditional / arr. Beatrice A. Miller

Level: Early Intermediate

Item: 00-05180

$3.50
Shipped

One moment…

Description
This lively early intermediate trio based on the folk song is fun to play, as the melody is passed from one part to the next. In the key of C and 4/4 meter, the simple rhythms and catchy tune make this a favorite of students. A Federation Festivals 2016-2020 selection.

She'll Be Comin' 'Round the Mountain: Piano Trio (1 Piano, 6 Hands) Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 1-58951-051-8
ISBN13: 978-1-58951-051-7
UPC: 654979071044
SKU: 00-05180

More about this title

About the Arranger: Beatrice A. Miller

Beatrice A. Miller

Beatrice A. Miller grew up in Detroit surrounded by hymn singing, shaped by her father's work as a Lutheran pastor and musician. A precocious talent herself, she went on to earn her Master's degree in composition from Northwestern University and spent decades teaching piano, directing choirs, and playing organ in Corvallis, Oregon.

When Miller retired from classroom teaching in 1979, she turned her full attention to composition. Her published works began appearing in 1987, and her contributions to music education earned her the Oregon Music Teacher's Association Composer of the Year award in 1997.

Why we love this

Miller nails the balance between accessibility and genuine musicality here. The melody's journey through all three hands keeps students engaged and trading lines, while the straightforward key and meter remove barriers to collaboration. It's the kind of piece that makes young pianists feel like ensemble players rather than soloists reading a different staff.

What to expect

There's an infectious lightness here. The melody bounces between hands with playful energy, never settling long enough to feel predictable. Simple as the tune is, the arrangement captures that distinctive folk song character where familiarity breeds genuine warmth rather than boredom.

Who it's for

This arrangement works beautifully for early intermediate students ready to explore ensemble playing without overwhelming technical demands. It's equally valuable in group piano classes, festival performances, or studio recitals where students benefit from collaborative experience.

How to get the most out of it

  • Hand off the melody cleanly at each transition. Mark where the line passes in rehearsal so students know exactly when to enter and when to recede.
  • Keep the tempo steady and bright; the folk tune's charm lives in its forward motion, not in dragging it.
  • Balance the three voices so no single hand dominates. The accompaniment parts matter just as much as whoever has the tune at any given moment.

How to use it

Schedule this in spring concerts or studio events where you want something that lands with immediate appeal. It pairs well alongside more serious contemporary works, offering a palate-cleansing moment that audiences recognize and enjoy. The four-page length also makes it an ideal opener or closer in a recital program.

Skills your students will build

  • Hand independence and coordination across three independent lines
  • Smooth melody transitions between different hand positions
  • Ensemble balance and listening skills in chamber settings
  • Consistent pulse and tempo maintenance with multiple performers
  • Reading and executing straightforward rhythmic patterns in unison and in parts

You May Also Like