She Had Some Horses Cover Image

She Had Some Horses: Chamber Duo Book

$15.95 USD
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She Had Some Horses Cover Image

She Had Some Horses: Chamber Duo Book

By Christian Wolff

Level: Advanced

Item: 98-EP68627

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Description

The musicality of Native American poet Joy Harjo's poem 'She Had Some Horses' inspired Christian Wolff to write a duo for this unusual pair of instruments: viola and zither. Following Bach (B-A-C-H) and Shostakovich (D-S-C-H), Wolff matched the 'musical' letters in Harjo's poem to pitches at the beginning of his piece. Georg Glasl (zither) and Kelvin Hawthorne (viola) gave the premiere in Munich during June of 2002.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-300-76051-5
ISBN13: 979-0-300-76051-3
UPC: 9790300760513
SKU: 98-EP68627

More about this title

About the Composer: Christian Wolff

Christian Wolff is an American composer whose work has consistently challenged conventional approaches to instrumental writing and ensemble collaboration. Born in 1934, Wolff studied with John Cage and has spent decades exploring how performers interact through graphic scores, aleatoric techniques, and unconventional instrument pairings that expand what chamber music can be.

Wolff's compositional philosophy treats every instrument, no matter how rare or unexpected, as a full partner in the musical conversation. His interest in literary sources, as demonstrated in this piece, reveals his belief that words and their sonic qualities can unlock entirely new musical territories.

Why we love this

The pairing of viola and zither feels genuinely fresh in the chamber repertoire, and Wolff's use of acrostic pitch matching (derived from Joy Harjo's poem) gives performers a conceptual anchor that goes beyond mere technical difficulty. This work attracts advanced ensembles looking to program something that opens conversations about poetry, extended techniques, and how constraint can generate creativity rather than limit it.

What to expect

The piece unfolds with the contemplative, imagistic quality of Harjo's poetry. Conversations between the viola and zither feel both intimate and slightly mysterious, as if each instrument is speaking in a different language that somehow makes perfect sense together.

Who it's for

Advanced chamber musicians and experimental music ensembles with access to a skilled zither player. Programs looking to program 21st-century work that engages literary sources and extends the boundaries of traditional duo repertoire will find this compelling.

How to get the most out of it

  • Study the premiere recording by Georg Glasl and Kelvin Hawthorne to hear how the zither's shimmering sustain can frame the viola's more lyrical passages.
  • Map out the acrostic pitch material with your partner before rehearsal begins; understanding the structural logic will clarify phrasing and ensemble balance.
  • Explore the zither's dynamic range carefully. This instrument can disappear or dominate, so negotiate touch and resonance duration to let both voices breathe equally.

How to use it

Pair this with other contemporary works that draw inspiration from literature or visual art, creating a thematic concert around interdisciplinary collaboration. Its 12-page scope makes it suitable for a focused recital or a curated chamber music festival featuring new works.

Skills your students will build

  • Interpreting acrostic and pitch-mapping compositional techniques
  • Ensemble balance between pitched strings with vastly different acoustic properties
  • Sustained tonal production and dynamic control on both instruments
  • Collaborative problem-solving across unfamiliar instrument pairings

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