She Had Me at Heads Carolina Cover Image

She Had Me at Heads Carolina: Concert Band Conductor Score & Parts

$68.00 USD
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She Had Me at Heads Carolina Cover Image

She Had Me at Heads Carolina: Concert Band Conductor Score & Parts

Words and music by Tim Nichols, Jesse Frasure, Thomas Rhett, Mark Sanders, Cole Swindell and Ashley Gorley / arr. Michael Kamuf

Grade: 2

Item: 00-49458

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Description
From the top of the country charts, Cole Swindell's hit single She Had Me at Heads Carolina pays tribute to singer and songwriter Jo Dee Messina and her debut single from 1996, "Heads Carolina, Tails California." With melodies that get passed throughout the ensemble, arranger Michael Kamuf has crafted the perfect vehicle that will engage both your students and audience. This one is FUN! (2:10)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, She Had Me at Heads Carolina: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
ISBN10: 1-4706-6069-5
ISBN13: 978-1-4706-6069-7
UPC: 038081577487
SKU: 00-49458

More about this title

About the Composer: Tim Nichols

Tim Nichols is a Nashville songwriter with deep roots in country music composition. His work across multiple genres demonstrates versatility in crafting hooks and melodies that resonate with both radio audiences and ensemble musicians.

Why we love this

Michael Kamuf's arrangement distributes the melodic material generously across your ensemble, which means every section gets moments to shine rather than watch from the sidelines. The two-minute duration fits perfectly into concerts where you need energy and audience engagement without demanding extensive rehearsal time on a single piece.

What to expect

Bright and celebratory, with the kind of melodic warmth that country radio perfected. The arrangement feels conversational rather than grand, inviting listeners into something friendly and accessible.

Who it's for

Bands working at Grade 2 who want to program contemporary country hits without stepping into advanced technical territory. This works equally well for spring pops concerts, community engagement events, or any program that needs immediate audience connection.

How to get the most out of it

  • Balance the melody line as it travels between sections. Since multiple instruments share the tune, clarity depends on consistent dynamic support from whichever section carries each phrase.
  • Keep the tempo steady and energetic. Country grooves live on rhythmic stability; a slight drag in the rhythm section will flatten the infectious quality that makes this arrangement work.
  • Let the arrangement breathe where Kamuf has written space. The light texture of Grade 2 writing means you don't need heavy-handed phrasing to make impact.
  • Emphasize the tribute element to your ensemble during rehearsal. Knowing that this celebrates both Cole Swindell and Jo Dee Messina often sparks student investment in nailing the details.

How to use it

Pair this with other Pop Young Band selections for a dedicated modern music set, or use it as a closer to send audiences out smiling. Its brief length also makes it an ideal opener that establishes an upbeat tone for the evening.

Skills your students will build

  • Passing melodic material between sections with smooth transitions
  • Maintaining ensemble groove in a pop/country idiom
  • Balancing accompaniment figures with featured lines
  • Reading and performing in Grade 2 concert band voicing

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