Sharon's Aria (from the opera ''Elmer Gantry'') Cover Image

Sharon's Aria (from the opera ''Elmer Gantry''): Voice & Piano

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Sharon's Aria (from the opera ''Elmer Gantry'') Cover Image

Sharon's Aria (from the opera ''Elmer Gantry''): Voice & Piano

By Robert Livingston Aldridge

Item: 98-EP68175B

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Description

Taken from the opera Elmer Gantry, itself a setting of the novel by American novelist Sinclair Lewis, this aria depicts Sharon Falconer, a travelling evangelist, as she describes the joy of God to an amassed crowd.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-30-075798-0
ISBN13: 979-0-3007-5798-8
SKU: 98-EP68175B

More about this title

About the Composer: Robert Livingston Aldridge

Robert Livingston Aldridge is an American composer whose operatic works draw from significant American literature and cultural moments. His opera Elmer Gantry, based on Sinclair Lewis's 1927 novel, exemplifies his ability to craft dramatically compelling vocal music that captures complex character psychology and social critique through song.

Why we love this

Sharon's Aria captures a character at a moment of absolute conviction, and the music reflects that intensity without resorting to caricature. The piece demands both vocal control and emotional authenticity, making it a standout choice for singers ready to tackle operatic material with real dramatic stakes.

What to expect

Sharon's conviction radiates through this music, creating the sense of a charismatic evangelist drawing an entire crowd into her spiritual fervor. The piano writing pulses with energy while the vocal line soars, evoking both the intimacy of a character study and the spectacle of a public performance.

Who it's for

This aria suits intermediate to advanced singers with solid operatic technique and the ability to sustain lyrical singing while maintaining dramatic urgency. It works for recital singers, operatic scene study classes, and singers preparing for roles that demand both vocal polish and character depth.

How to get the most out of it

  • Build the arc gradually from the opening through Sharon's proclamation of joy; resist the temptation to sing at full volume throughout, which flattens the character's persuasive power.
  • Work closely with your pianist on the accompaniment's rhythmic drive, which propels Sharon's narrative forward and must stay energized even in quieter passages.
  • Find the specific emotional beat where Sharon shifts from describing God's joy to commanding her crowd; this moment of recognition is where the aria's true power lives.

How to use it

Program this aria alongside other operatic scenes that explore persuasion, faith, or moral complexity. It works particularly well in a recital exploring American operatic literature or in a concert pairing opera with art song, where its dramatic weight and lyrical beauty can stand alongside both theatrical and intimate repertoire.

Skills your students will build

  • Sustaining lyrical phrasing across longer musical phrases
  • Dramatic storytelling through vocal inflection and dynamic control
  • Coordination with a pianist on rhythmic integrity and musical gesture
  • Character interpretation in operatic context
  • Managing breath and stamina in emotionally demanding material

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