Shalom, Until We Meet Again (arr. Becki Slagle Mayo): 2-Part Choral Octavo
Shalom, Until We Meet Again (arr. Becki Slagle Mayo) Sheet Music Preview

Shalom, Until We Meet Again (arr. Becki Slagle Mayo): 2-Part Choral Octavo

As performed by Traditional Israeli Folksong / Arranged by Becki Slagle Mayo

Item: 35-DS01803264
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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS01803264

More about this title

About the Artist: Traditional Israeli Folksong

Israeli folksongs emerged from the cultural tapestry of a young nation, shaped by Jewish immigration, labor movements, and the desire to build community through song. These melodies carry the weight of history while remaining accessible and singable for performers of all ages. They've become staples in music education because they bridge cultural understanding with genuine musical substance.

Why we love this

Becki Slagle Mayo's arrangement captures the reflective warmth of this traditional melody while keeping the harmonic language straightforward enough for developing choirs. The two-part writing creates space for singers to find their voices without overwhelming them, and the text itself carries emotional depth that resonates across cultural backgrounds.

What to expect

The arrangement unfolds with gentle dignity, inviting singers into a moment of farewell that feels both personal and universal. There's a quietness here that doesn't diminish the song's presence; instead, it asks performers to listen to themselves and each other.

Who it's for

Choirs in grades 5 through 12, community choirs, and adult singers looking to add meaningful repertoire to their libraries. This works equally well for groups new to part singing and for experienced ensembles seeking something with cultural substance.

How to get the most out of it

  • Balance the melody so it emerges clearly from the second part; resist the urge to push dynamics beyond what the arrangement supports.
  • Shape the phrase endings with slight space and breath rather than letting them collapse; this honors the song's farewell sentiment.
  • Pay attention to vowel unification on sustained tones, particularly on "Shalom," so the word feels intentional rather than scattered.
  • Consider the spiritual quality of the piece by maintaining a tempo that allows singers to connect with the text rather than rushing through it.

How to use it

Position this near the end of a concert program where its reflective quality can settle into the audience; it works beautifully as a closing piece or as a bridge between more energetic repertoire and a final spiritual or folk selection. It also fits naturally into programs exploring cultural music or world songs.

Skills your students will build

  • Singing with cultural awareness and respect for traditional material
  • Blending two-part harmonies with clear voice independence
  • Sustaining legit phrasing across longer melodic lines
  • Using dynamic control to serve emotional content rather than technical display

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