Shallow (from A Star Is Born) (arr. Rick Stitzel) Sheet Music Preview

Shallow (from A Star Is Born) (arr. Rick Stitzel): Jazz Ensemble Conductor Score & Parts

As performed by Lady Gaga Bradley Cooper / As performed by Lady Gaga / As performed by Bradley Cooper / Arranged by Rick Stitzel

Grade: 3-4

Item: 35-PK00441483

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Description
Featured prominently in the movie "A Star Is Born", the hit song "Shallow", recorded by Lady Gaga and Bradley Cooper, enjoyed success on the pop charts as well as winning numerous awards. This classy setting for vocal solo with big band will become an instant success at any concert or event.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00441483

More about this title

About the Artist: Lady Gaga Bradley Cooper

Lady Gaga is a vocalist and songwriter whose work spans pop, jazz, and theatrical genres. Her interpretive depth and willingness to explore musical styles beyond commercial pop have made her a significant figure in contemporary music, with particular resonance in educational settings where her arrangements and performances model sophisticated vocal technique and emotional storytelling.

Bradley Cooper is an actor, filmmaker, and musician who has increasingly focused on music production and performance in recent years. His collaboration with Lady Gaga on the "A Star Is Born" soundtrack demonstrated his commitment to authentic musical interpretation and his ability to work across genres with credibility and nuance.

Why we love this

Rick Stitzel's arrangement captures the emotional weight of the original while fitting comfortably into a Grade 3-4 ensemble's technical range. The vocal showcase gives your soloist a genuinely rewarding moment, and the big band backdrop provides enough textural richness to keep the ensemble engaged without overwhelming the arrangement's elegant simplicity. This lands perfectly for concerts where you want contemporary material with real artistic credibility.

What to expect

Intimate and cinematic. The arrangement draws you into a quiet moment of connection between two voices, with the band providing lush but unobtrusive accompaniment. There's a theatrical quality to it, even in a concert setting, that gives your ensemble a chance to show emotional maturity alongside technical skill.

Who it's for

Jazz ensemble directors who want to program repertoire that speaks to students' musical lives and interests without sacrificing artistry. This works equally well for groups with a strong solo vocalist already in place or as a vehicle to develop one.

How to get the most out of it

  • Balance the vocalist's vulnerability against the ensemble's support. The rhythm section should be present but never aggressive; this ballad lives in restraint and space.
  • Establish the harmonic foundation early in rehearsal. Make sure the piano voicings and bass line sit together clearly so your soloist has a stable platform.
  • Shape the dynamics across the entire form rather than playing any section at full volume. The arrangement's power comes from its trajectory, not from immediately filling the room.

How to use it

Place this as the centerpiece of a spring concert or as a bridge between a straight-ahead jazz set and something more pops-oriented. It also works well as a final piece in a concert designed around film and Broadway music, where it serves as a reminder of contemporary music's theatrical power.

Skills your students will build

  • Accompanying a vocal soloist with sensitivity and flexibility
  • Interpreting jazz voicings and comping patterns in a ballad context
  • Understanding dynamic shaping and phrasing across a full arrangement
  • Reading and executing contemporary jazz notation and idioms at mid-level difficulty

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