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Shakespeare Pictures: Wind Band Score & Parts

$195.00 USD
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Shakespeare Pictures: Wind Band Score & Parts

By Nigel Hess

Level: Intermediate

Item: 12-0571570070

$195.00
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Description
While Music Director and House Composer for the Royal Shakespeare Company, Nigel Hess wrote music for over twenty productions. Hess has taken music from three works to form a 12-minute suite called Shakespeare Pictures. It begins with the boisterous overture to Much Ado About Nothing, followed by a contrasting slow movement depicting the beautiful statue from A Winter's Tale before displaying huge pomp of Caesar's Rome with The Entry to the Senate. This work is ideal for bands that have played and enjoyed Hess's work East Coast Pictures.

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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-57007-0
ISBN13: 978-0-571-57007-2
UPC: 9780571570072
SKU: 12-0571570070
Instrumentation: Wind Band

More about this title

About the Composer: Nigel Hess

Nigel Hess spent years as Music Director and House Composer for the Royal Shakespeare Company, where he created original scores for over twenty productions. His experience scoring for theatre taught him how to write music that serves narrative and character while remaining accessible to performers at all levels.

Hess brings theatrical sensibility to his wind band writing. His pieces balance lyrical beauty with orchestral color, and they're built for ensembles that value both musicianship and sheer enjoyment in performance.

Why we love this

Hess structures this suite to reward careful listening without demanding virtuosity. Three distinct movements give you textural and emotional variety in a single rehearsal investment, and the connection to Shakespeare adds cultural weight that students actually respond to. If your band knows East Coast Pictures, your ensemble already trusts Hess's voice and can dig deeper into his theatrical storytelling.

What to expect

The suite moves you from a party full of wit and misunderstanding, into a moment of breathless contemplation, and finally into the marble corridors of power. Hess's orchestration keeps the instrumentation lean enough for intermediate players while painting genuinely theatrical pictures.

Who it's for

Intermediate wind bands looking for repertoire that connects to literature and theatre. This suite works well for ensembles that have built ensemble musicianship and can handle three contrasting moods without losing cohesion.

How to get the most out of it

  • Balance the boisterous Much Ado opening so the energy feels celebratory rather than aggressive. The overture's main job is to establish the suite's theatrical tone, so commit to clarity in the fast passages without letting tempo override the melodic lines.
  • Shape the slow movement around breath and phrasing rather than strict metronomic time. The statue imagery asks for something almost sculptural in how you sustain the lyrical material.
  • Plant the Senate entry's pomp squarely in the low brass and woodwind foundation. This movement demands confidence in ensemble balance; the spectacle lives in how locked the rhythmic framework is, not in volume.

How to use it

Program this as a centerpiece of a concert built around storytelling or adaptations across the arts. The 12-minute length makes it substantial enough to anchor a program without overwhelming rehearsal time, and it pairs naturally with shorter lyrical pieces or with other Hess works your band knows.

Skills your students will build

  • Shifting between contrasting musical characters and moods within a single work
  • Balancing harmonic and melodic independence across the band
  • Shaping sustained lyrical passages with architectural awareness
  • Rhythmic precision in fast orchestral writing while maintaining musicality

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