Shake, Rattle and Roll Sheet Music Preview

Shake, Rattle and Roll: 2-Part Choral Octavo

Words and music by Charles Calhoun / arr., with new words and music, by Sally K. Albrecht

Item: 00-PO-0001216

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Minimum order quantity: 20 copies

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Description
This 12-bar blues from 1954 gets an easy-to-assemble "partner-song" treatment, complete with staging suggestions! So, "get out from that kitchen," and start singing!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001216

More about this title

About the Composer: Charles Calhoun

Charles Calhoun was an American songwriter and pianist who wrote "Shake, Rattle and Roll" in 1954. The song became a cornerstone of early rock and roll, capturing the energy and rebellious spirit of the emerging genre. Calhoun's work helped define the sound of 1950s popular music and continues to be performed across multiple genres and ensemble types.

Why we love this

Albrecht's partner-song arrangement transforms this 12-bar blues classic into an accessible two-part experience that lets younger or less experienced singers enjoy a legitimate rock and roll standard. The staging suggestions built into the score add theatrical energy without requiring elaborate production, making it realistic for a school concert. You get authentic rock history, genuine fun, and practical stageable content all in one octavo.

What to expect

Energetic, playful, and utterly authentic to the spirit of 1950s rock and roll. The two-part texture keeps things accessible while the blues form and rhythmic drive create genuine forward momentum. Singers feel the swagger of the era without the complexity of more intricate arrangements.

Who it's for

This arrangement works for middle school and young high school choirs seeking an engaging, performance-ready rock standard that doesn't demand advanced vocal technique. It's ideal for directors building confidence in newer singers or assembling a concert that includes contemporary styles alongside traditional choral literature.

How to get the most out of it

  • Establish a steady, confident tempo before the choir enters. The blues feel depends on rhythmic precision, so lock in the pulse during rehearsal from the first reading.
  • Emphasize the call-and-response sections between the two parts. These exchanges should feel conversational and energetic, not rigid.
  • Use the recorded accompaniment to anchor the rhythm section feel and show students how the parts sit against the groove.
  • Keep the vocal production bright and forward. This is rock and roll, not a ballad; singers should sing with personality and presence.

How to use it

Perfect for a "Then and Now" themed concert that bridges musical history and contemporary styles. The staging suggestions make it a strong candidate for a pops or variety show segment, or use it as a high-energy opener to grab audience attention and set a fun tone for the concert.

Skills your students will build

  • Blues form and 12-bar structure
  • Call-and-response singing between two parts
  • Rhythmic precision in a rock/pop idiom
  • Expressive, character-driven vocal delivery
  • Blend and balance in partner-song textures

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