Shake Me I Rattle (Squeeze Me I Cry) (arr. Phillip Keveren) Sheet Music Preview

Shake Me I Rattle (Squeeze Me I Cry) (arr. Phillip Keveren): Beginning Piano Solo

As performed by Marion Worth / Arranged by Phillip Keveren

Item: 35-DS00021671

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00021671

More about this title

About the Artist: Marion Worth

Marion Worth was a country music vocalist whose recording career spanned the 1950s and 1960s, with a voice equally suited to ballads and novelty songs. Her version of 'Shake Me I Rattle (Squeeze Me I Cry)' became a charming staple of holiday playlists, capturing the playful spirit of the original composition.

Worth's interpretive approach to this children's song demonstrates how experienced vocalists can bring warmth and character to material that might otherwise feel lightweight. Her recorded version remains a reference point for arrangers seeking to honor the song's whimsical charm.

Why we love this

Keveren's arrangement transforms a novelty holiday song into something genuinely musical without losing its humor. Beginning pianists get to play a recognizable tune with straightforward harmonic language, and the four-page length means students finish with a real sense of accomplishment rather than abandonment.

What to expect

Gentle and nostalgic, with a winking quality that suggests fun without becoming silly. The arrangement feels like a music box version of the original, intimate enough for a student to connect with emotionally while remaining straightforward enough to actually master.

Who it's for

Beginning pianists ready to play recognizable music with modest technical demands, and teachers seeking Christmas material that doesn't condescend to early-level students. Works especially well for holiday recitals or community performances where audiences know and love the original song.

How to get the most out of it

  • Articulate the dotted rhythms clearly so the playful character comes through. Rushing these figures will flatten the song's charm.
  • Lean into the dynamic contrasts. If Keveren has written softer passages, resist the urge to play everything with equal weight.
  • Listen to Marion Worth's original recording to hear where she places emphasis and syllables. Let that phrasing inform your tempo and rubato decisions.

How to use it

Pair this with other seasonal music for a December recital that appeals to mixed skill levels, or use it as an intermission piece where the audience can relax and smile. It also works beautifully as a teaching tool in November or early December, giving students a quick seasonal win before tackling more demanding material.

Skills your students will build

  • Playing through a four-page piece without stopping
  • Articulating dotted rhythms at a comfortable tempo
  • Responding to dynamic markings and shaping phrases
  • Coordinating hands on recognizable melodic material

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