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Shakata: Concert Band, Ensemble Works, Full Score

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Shakata: Concert Band, Ensemble Works, Full Score

By Dana R. Wilson

Grade: 3

Item: 36-10105304

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Description
Dana Wilson always strives to introduce students and audiences to new ways of thinking about music and performance practices. This work serves somewhat as an incantation, a summoning up of, by means of a group music ritual, the goodness of the earth and, consequently, ourselves. Rhythmic vocalizations abound, juxtaposed with rhythmical, percussive ensemble writing. Dana Wilson is a master and his works light up any program in which they are performed.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134893-X
ISBN13: 978-1-57-134893-7
UPC: 659359704703
SKU: 36-10105304
Instrumentation: Concert Band

More about this title

About the Composer: Dana R. Wilson

Dana R. Wilson is a prolific composer whose concert band works have become staples in school and community music programs across North America. Known for his accessibility without sacrificing musical substance, Wilson writes with deep understanding of student performers and their growth as musicians. His compositions frequently explore unconventional sound sources and extended techniques, challenging young musicians to expand their conception of what concert band music can be.

Wilson's approach to composition emphasizes collaborative music-making and cultural exploration. He draws inspiration from world music traditions, contemporary performance art, and the pedagogical power of ensemble work. His catalog spans numerous genres and instrumentation, but his concert band writing consistently demonstrates his commitment to creating works that engage both performers and audiences through fresh musical perspectives.

Why we love this

Shakata strips away the conventional concert band sound and replaces it with something far more immediate and alive. The interweaving of rhythmic vocalizations with percussive ensemble writing keeps students engaged as active participants in creating texture and atmosphere rather than simply executing parts. This is a conductor's tool for awakening an ensemble to the visceral, communal power of group music-making.

What to expect

Shakata pulses with ritualistic energy, blending human voice and percussion into a shimmering, hypnotic texture. The work evokes primordial music-making, where the boundary between instrument and voice dissolves. There is both grounding earthiness and transcendent quality in the sound, creating a performance experience that feels more like a collective ceremony than a traditional concert piece.

Who it's for

Grade 3 bands ready to venture beyond traditional repertoire and embrace unconventional sound-making. This work suits ensembles with strong fundamental skills and the musical maturity to engage with contemporary extended techniques and world music concepts. Directors looking to program something that challenges perceptions of what concert band music can express will find Shakata rewarding.

How to get the most out of it

  • Invest rehearsal time in the rhythmic vocalizations before attempting to marry them with instrumental writing. Have students speak and chant independently first, building confidence in unfamiliar vocal territory.
  • Balance the percussive writing so it supports rather than overwhelms the ensemble sound. Percussionists should think of themselves as co-creators of pulse and texture, not as time-keepers.
  • Encourage the band to think of this as ritual or ceremony. The work gains its full power when performers understand they are collectively summoning something larger than themselves.
  • Use the score's visual layout to clarify dense rhythmic passages. Point out where instrumental lines and vocal parts align, and where they intentionally conflict.

How to use it

Shakata works beautifully as a centerpiece that reframes an entire concert's identity. Program it alongside world music pieces, contemporary works, or pieces that explore extended techniques to reinforce the evening's theme of musical exploration. It also serves as an effective season opener, signaling to audiences that your program will challenge and expand their listening.

Skills your students will build

  • Rhythmic vocalizations and non-traditional ensemble sound production
  • Performing with mixed rhythmic meters and layered ostinati
  • Listening across ensemble parts to balance collective texture
  • Understanding extended performance techniques and contemporary notation
  • Ensemble communication without relying solely on traditional conducting cues

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