Shady Grove Cover Image

Shady Grove: String Orchestra Conductor Score

$9.00 USD
Sale price  $9.00 USD Regular price 
Skip to product information
Shady Grove Cover Image

Shady Grove: String Orchestra Conductor Score

Traditional / arr. Renata Bratt

Grade: 2

Item: 00-44800S

$9.00
Shipped

One moment…

Description
Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D Major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40)

Shady Grove: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 12
UPC: 038081517346
SKU: 00-44800S

More about this title

About the Arranger: Renata Bratt

Renata Bratt

Renata Bratt is a cellist, clinician, and string pedagogue whose work bridges classical training with folk and contemporary styles. She serves on the Alternative String Styles Advisory Committee of the American String Teachers Association and has taught at major string conferences including the Mark O'Connor String Conference, Alasdair Fraser's Sierra Fiddle Camp, and the Valley of the Moon Scottish Fiddling School. Her performance credits span classical cellists, jazz ensembles, and touring musicians including Jimmy Page and Robert Plant.

Based in California, Bratt teaches cello at Santa Cruz Waldorf Elementary School and the Pacific Elementary School in Davenport, and directs beginning orchestra through the Cabrillo Youth Strings program. She has authored several instructional texts for Mel Bay Publications, including The Modern Cello Method, The Fiddling Cellist, and Celtic Grooves for Two Cellists, and regularly publishes orchestral arrangements with Alfred Music. Her recordings and workshop leadership reflect a deep commitment to expanding the musical possibilities available to young string musicians.

Why we love this

This arrangement capitalizes on the natural appeal of a tune students likely already know, then layers in singing parts that make the melody instantly accessible to every section. The fiddle breaks and offbeat rhythmic drive keep the energy high while staying solidly within Grade 2 technique, making it the kind of piece that feels genuinely fun to rehearse rather than like a technique drill.

What to expect

Bright, propulsive, and footloose. The D Major tonality and fiddle idiom give this tune an infectious folk-dance quality, while the cut-time signature and offbeat accents create forward momentum that feels almost irresistible. Singing sections add a communal, barn-dance-like warmth that transforms a standard orchestral piece into something more like a participatory musical event.

Who it's for

Intermediate string orchestras looking for repertoire that engages singers and players alike. This works especially well for programs that want to explore American folk traditions or those seeking a Grade 2 piece with real personality and driving rhythmic energy.

How to get the most out of it

  • Emphasize the offbeat accents in cut time to anchor the driving rhythmic character; lock the section together by having all players feel the pulse landing on the syncopations rather than fighting them.
  • Encourage singers to stay connected to the rhythm of their bow strokes even when not playing, so the transition between sung and played phrases feels seamless.
  • Shape the fiddle breaks with slight rubato and ornamentation; this is folk music, so precision matters less than the sense of swing and lift in the phrasing.
  • Keep left-hand fingers active and energized during fast passages in first position; rapid finger motion drives the character of the tune.

How to use it

Program this as an opener or closer on a concert featuring American roots repertoire, or slot it into a pops or family concert where audience engagement and joy are priorities. It pairs well with other folk-based arrangements and gives intermediate ensembles a chance to show off rhythmic sophistication and style awareness without demanding advanced technique.

Skills your students will build

  • Reading and executing offbeat accents in cut time
  • Rapid left-hand finger work in first position
  • Quick bow crossings with clean articulation
  • Transitioning between sung and played phrases with musical continuity
  • Responding to idiomatic rhythmic inflection and swing in folk-based music

You May Also Like