Seui Diu Go Tau (Under the Mid-Autumn Moon) for SATB Choir and Piano Cover Image

Seui Diu Go Tau (Under the Mid-Autumn Moon) for SATB Choir and Piano: Choral Works (inc. Oratorios)

$3.50 USD
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Seui Diu Go Tau (Under the Mid-Autumn Moon) for SATB Choir and Piano Cover Image

Seui Diu Go Tau (Under the Mid-Autumn Moon) for SATB Choir and Piano: Choral Works (inc. Oratorios)

Mand/Eng

By Chan Kai-Young

Item: 98-EP72721

$3.50
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-57-701055-7
ISBN13: 979-0-5770-1055-7
SKU: 98-EP72721

More about this title

Why we love this

Chan Kai-Young brings cultural specificity and emotional depth to this Mid-Autumn Festival text without resorting to obvious orientalism. The piece honors its source material while remaining thoroughly singable for mixed choirs at intermediate levels.

What to expect

Reflective and intimate, with the warmth of moonlight on water. The music captures the contemplative spirit of the Mid-Autumn Festival without dramatic flourish, inviting singers and listeners into a moment of quiet celebration.

Who it's for

Mixed choirs with solid sight-reading skills and experience balancing four independent lines. This octavo works well for ensembles seeking authentic East Asian choral literature and for programs that want to move beyond Western European repertoire.

How to get the most out of it

  • Balance the piano part carefully in rehearsal; it should anchor harmonic context without overwhelming the voices. Use a lighter touch in passages where the choir carries the melody alone.
  • Encourage singers to lean into the text's imagery rather than adopt an exaggerated interpretive style. The poetry does the work; your job is clarity and warmth.
  • Shape phrases around the natural cadences of Cantonese-derived poetry rather than imposing strict symmetrical phrasing. Listen for where the text breathes.

How to use it

Program this alongside other world choral music to create a thematic concert on lunar imagery, seasonal celebration, or diaspora experience. Its moderate difficulty and 16-page length make it suitable for concert closers or as a bridge piece between heavier works.

Skills your students will build

  • Singing text in Cantonese or romanized Chinese with authentic pronunciation and tonal clarity
  • Balancing four voice parts in a non-Western harmonic language
  • Responding to poetic phrasing that does not align with strict metrical symmetry
  • Interpreting cultural context and emotional nuance from unfamiliar source material

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