Set A Bonfire On The Hilltop (An Advent Processional Of Light) (arr. Stewart Harris) Sheet Music Preview

Set A Bonfire On The Hilltop (An Advent Processional Of Light) (arr. Stewart Harris): 2-Part Choral Octavo

By Jim Riggs / Arranged by Stewart Harris

Item: 35-DS00461522

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00461522

More about this title

About the Composer: Jim Riggs

Jim Riggs has built a reputation as a composer who understands what works in worship settings, crafting pieces that serve congregations and choirs with equal care. His liturgical writing balances accessibility with musical substance, creating moments that enhance the spiritual intention of the service rather than overshadowing it.

Why we love this

Stewart Harris's arrangement distills the processional's power into a format that reaches broader choirs without sacrificing the transformative imagery at the heart of this piece. The 2-part voicing lets younger singers or smaller ensembles claim this text during Advent without compromise, and the 10-page score moves quickly enough to keep energy high through a full liturgical moment.

What to expect

The piece carries the quiet anticipation of Advent's early weeks before gradually kindling into warmth and collective witness. Light imagery moves from subtle to unmistakable, with the harmonic language supporting that journey from darkness into expectation.

Who it's for

Directors working with developing choirs, smaller ensembles, or worship settings where a 2-part texture serves the congregation better than larger forces. This arrangement opens the door for middle school choirs and community groups to lead meaningful Advent liturgy.

How to get the most out of it

  • Build the dynamic arc gradually across the processional rather than hitting forte immediately; let the light imagery emerge organically as singers move through space.
  • Shape the 2-part writing to highlight harmonic clarity; these voices do the heavy lifting, so intonation in the inner intervals matters more than volume.
  • Consider staging the entrance to align with the musical energy curve, allowing the piece itself to guide when singers move from preparation into full voice.

How to use it

Use this as the centerpiece of an Advent processional service, pairing it with instrumental interludes or readings that reinforce the light metaphor. The 2-part voicing also makes it ideal for blended intergenerational choirs or as a congregational learning piece that invites broader participation by year's end.

Skills your students will build

  • Singing sustained phrases without excessive breath marks
  • Maintaining musical independence in 2-part texture
  • Connecting text to physical movement and spatial awareness
  • Building dynamic shape within a liturgical context

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