Sesqui-Centennial Exposition March Cover Image

Sesqui-Centennial Exposition March: Concert Band Conductor Score

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Sesqui-Centennial Exposition March Cover Image

Sesqui-Centennial Exposition March: Concert Band Conductor Score

By John Philip Sousa / arr. Loras John Schissel

Grade: 4

Item: 36-50105269

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LudwigMasters Publications is pleased to add this stirring march to our Heritage of the Concert Band Series. Sousa's marches are a national treasure and this is a fine example of his style, arranged by Loras John Schissel. (3:00)

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Additional Details
Series: Heritage of the Concert Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887407-7
ISBN13: 978-1-63-887407-2
UPC: 660355182976
SKU: 36-50105269
Instrumentation: Concert Band

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854-1932) stands as America's most celebrated march composer and bandmaster. His prolific output of nearly 140 marches, along with operettas and instrumental works, helped establish the concert band as a distinctive American ensemble. As conductor of the U.S. Marine Band and later his own touring ensemble, Sousa shaped the sound of American music for generations and remains central to the concert band repertoire.

Sousa's marches combine memorable melodies, sophisticated harmonies, and structural clarity that reward both performers and audiences. His compositional craft demonstrates how accessible, energetic music can also be musically substantial. For music educators, his work offers an entry point to American compositional tradition while engaging students with material that has endured for over a century.

Why we love this

This march delivers the architectural confidence and melodic generosity Sousa is known for, and Schissel's arrangement preserves those strengths while giving modern concert bands the clarity and balance they need. At Grade 4, it sits in that productive sweet spot where technical demands don't overshadow musicality. Programming a Sousa march signals to your audience that you value American musical heritage, and students respond with genuine enthusiasm to material this energetic and well-crafted.

What to expect

Bright, purposeful, and unfailingly forward-moving, this march carries the ceremonial optimism Sousa perfected. The main theme sits comfortably in the ear while the supporting voices create harmonic richness beneath. From downbeat to final chord, it feels like marching toward something worth celebrating.

Who it's for

This conductor score suits concert bands at the high school and community college level, where musicians have enough facility to manage the part-writing and balance. Directors seeking a signature American piece that engages audiences and builds ensemble cohesion will find this both musically rewarding and programmatically smart.

How to get the most out of it

  • Shape the principal melodic lines with clear phrasing rather than allowing the march rhythm to flatten into mechanical pulse. The countermelodies deserve the same attention as the main theme.
  • Balance the cornets and clarinets so neither overwhelms the other during their shared passages. The harmonic color depends on both sections breathing together.
  • Attack the marcato passages with crisp definition, but avoid hardness. Sousa's scoring asks for rhythmic precision without brittleness.
  • Use the three-minute duration to maintain consistent energy from opening to final strain. Resist the temptation to broaden overly much at cadences.

How to use it

Program this as an opener or closer that establishes the concert's character immediately. It pairs naturally with lighter pops fare or with other concert band standards from the early twentieth century. Spring and patriotic-themed concerts especially benefit from Sousa's distinctive voice, but the piece works year-round as a reliable audience favorite that never feels tired.

Skills your students will build

  • Maintaining consistent pulse and ensemble cohesion through repetitive rhythmic figures
  • Balancing multiple melodic lines within a homophonic texture
  • Shaping phrasing within sectional forms with clear harmonic structure
  • Executing marcato articulation with precision and musical intent

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