Separate Ways (Worlds Apart) (arr. Paul Murtha): Jazz Ensemble Conductor Score & Parts
As performed by Journey / Arranged by Paul Murtha
Grade: 2
Item: 35-PK01289148
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About the Artist: Journey
Journey emerged from the San Francisco Bay Area in the mid-1970s and became one of the defining rock bands of the 1980s. Their catalog is built on anthemic melodies, muscular rhythms, and the kind of hooks that lodge themselves in popular memory for decades. "Separate Ways (Worlds Apart)" exemplifies their gift for writing songs that feel both intimate and expansive, making their music particularly valuable for music educators seeking repertoire that resonates with students.
Why we love this
Paul Murtha has captured the propulsive energy of this 1983 classic without oversimplifying it for young ensembles. The alto sax lead on the melody immediately signals that this is a jazz band arrangement with genuine personality, and the driving pulse throughout keeps students engaged while building their sense of rhythmic cohesion. It's the kind of piece that makes rehearsals feel less like work and more like performing a song people actually want to hear.
What to expect
Confident and propulsive. The arrangement channels the song's original radio-ready polish while maintaining a groove that feels achievable for players still building their jazz chops. There's a real sense of forward momentum, supported by the kind of melodic clarity that makes the piece satisfying to perform.
Who it's for
Young jazz ensembles and developing players who benefit from material with instant recognizability and straightforward ensemble writing. Directors looking to connect with students through contemporary repertoire will find this especially useful for concert programming or casual performance events.
How to get the most out of it
- Keep the rhythm section locked tight from the first read. The arrangement's appeal depends entirely on that driving pulse staying consistent, so establish the groove early and don't let it drift.
- Balance the alto sax solo prominently in the opening without letting it overshadow the ensemble texture that follows. The transition from featured soloist to full band needs to feel organic.
- Emphasize the rock vernacular in your phrasing and articulation. This isn't concert jazz; it's a rock song, so straight eighth notes work better than swung ones in the supporting parts.
- Use the recorded accompaniment to hear how the dynamics should breathe. There's a difference between playing notes accurately and capturing the song's natural ebb and flow.
How to use it
This works beautifully as a closer on a pop or jazz concert, especially in a program that balances standard jazz repertoire with contemporary material. It also pairs well with other accessible rock arrangements to create a themed set that speaks to your ensemble's age and musical interests.
Skills your students will build
- Reading and executing written jazz articulations and phrasing
- Maintaining a steady groove with ensemble rhythm section coordination
- Balancing solo and ensemble textures in a rock-based jazz arrangement
- Understanding the relationship between rock and jazz idioms through performance